A work in constant progress (and occasional regress).
Release Date:
November 18, 2021
Original Title:
Vaght-e Chigh-e Anar
Genres:
Drama | War
Production Countries:
Afghanistan | Australia
Ratings / Certifications:
AU: M NZ: M
Runtime: 83
Shot on the streets of Kabul, Granaz Moussavi’s (My Tehran For Sale) outstanding new feature is in the tradition of the great child-centred works of the 1980s when filmmakers such as Kiarostami, Panahi and Amir Naderi (to whom this film is dedicated) were putting Iranian cinema in the forefront of world production. 9-year-old Hewad is an irrepressible, street-smart kid who is energetically working every angle, hustling everything from pomegranate juice to amulets to protection from the evil eye. His real ambition is to be a movie star, and this comes a step closer when he meets an Australian photographer. But in a city where every family has a member who has been “martyred,” the streets are as perilous as they are vivid. Australia’s recent involvement with Afghanistan has been mixed, to say the best. The deeply-felt humanism of this film might just be our most effective contribution to that troubled country.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Director:
Granaz Moussavi
Director of Photography:
Behrouz Badrouj
Editor:
Shima Monfared
Ali Akhavan
Elias Azizi
Ali Azizi
Nima Nabilirad
Foley Artist:
Tapio Liukkonen
Music:
Hossein Alizadeh
Producer:
Baheer Wardak
Christine Williams
Marzieh Vafamehr
Screenplay:
Granaz Moussavi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.