A work in constant progress (and occasional regress).
Featuring:
Constance Talmadge, Earle Foxe, Edna Earle
Written by:
Pierre Veber
Henri de Gorsse
Paul West
Directed by:
Charles Giblyn
Release Date:
January 1, 1918
Original Title:
The Studio Girl
Genres:
Comedy | Romance
Production Companies:
Select Pictures Corporation
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 50
The original play's French locale was changed to New England, where Celia Laird resides with her two overprotective aunts. When artist Frazer Ordway arrives in town, he falls in love with Celia -- much to the dismay of the aunts, who'd intended the girl to marry a local millionaire.
Weary of the straitlaced surroundings of her New England coastal village, Celia Laird is thrilled when dashing New York City artist Frazer Ordway vacations in Cliff Haven for his health. Celia's frequent meetings with Frazer prompt her two maiden aunts, Harriet and Rachel Farnum, to arrange a marriage with Obediah Daw, a wealthy though foppish man whom the aunts consider an ideal match for their niece. Realizing that the pretty and high-spirited girl is distracting him from thoughts of his fiancée, Adriana Peroni, Frazer decides to return to New York City. Halfway there, he finds Celia hiding in the back seat of his car and promptly puts her on a train for home. However, Celia is determined to escape a union with Obediah and secretly boards a train to the city instead. Frazer later enters his home to find Celia in his easy chair. When Adriana learns of Celia's presence, she ends the engagement, ultimately finding happiness with Dr. Walter Grierson. Celia's aunts arrive with police to arrest Frazer for kidnapping, then discover that the happy couple is about to depart on their honeymoon.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.