A work in constant progress (and occasional regress).
Release Date:
January 1, 1986
Original Title:
Ikwe
Genres:
Drama | History | TV Movie
Production Companies:
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 58
A young Ojibwa girl from 1770 marries a Scottish fur trader and leaves home for the shores of Georgian Bay. Although the union is beneficial for her tribe, it results in hardship and isolation for Ikwe. Values and customs clash until, finally, the events of a dream Ikwe once had unfold with tragic clarity.
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Art Direction:
Jane Macleod
Assistant Camera:
Charles Lavack
Assistant Director:
Roman Buchok
Assistant Editor:
Gloria Thorsteinson
Best Boy Grip:
Bryan Sanders
Boom Operator:
Andrew Koster
Carpenter:
Claude Ploudre
Casting:
Pat Hunter
Annika McLauchlan
Continuity:
Lara Mazur
Director:
Norma Bailey
Director of Photography:
Ian Elkin
Editor:
Lara Mazur
Executive Producer:
Ches Yetman
Foley Artist:
Andy Malcolm
Gaffer:
Frank Raven
Generator Operator:
Doug Davidson
Grip:
Dave Walker
Hair Assistant:
Suzanne Johnston
Hair Supervisor:
Richard Mucha
Key Grip:
Bill Mills
Location Sound Recordist:
Richard Patton
Makeup & Hair Assistant:
Pamela M. Athayde
Makeup Artist:
Nancy Howe
Original Music Composer:
John McCulloch
Producer:
Norma Bailey
Production Assistant:
Roger Ballantyne
Neila Benson
Bill Meade
Production Manager:
Connie Bortnick
Production Secretary:
Marie Fournier
Props:
Michelle Convey
Script Editor:
Norma Bailey
Sharon Riis
Second Assistant Camera:
Linda Danchak
Second Assistant Director:
Jack Clements
Set Dresser:
Michelle Convey
Sound Editor:
Lara Mazur
Gloria Thorsteinson
Still Photographer:
Robert Barrow
Third Assistant Director:
Kim Forrest
Wardrobe Assistant:
Thora Lamont
Wardrobe Supervisor:
Marie Melanson
Writer:
Wendy Lill
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.