I Come From Ikotun (????) [N/A]

Original Title:
I Come From Ikotun

Genres:
Documentary

Production Companies:
Idéale Audience
WIL Productions

Production Countries:
China | France

Ratings / Certifications:
 N/A

Four years ago, Kingsley arrived from Nigeria in Guangzhou, China and shared a small room with other Africans in the basement of a commercial building. He converted this modest space into a barber’s shop. Kingsley is keen to start an import and export company and to register it officially in Guangzhou. He works every day until 11 pm then goes to sleep in a chair at McDonald’s. He must also send money to his wife, so despite all his efforts, he is still unable to put aside enough money to register his business. In mid-November 2019, he goes back to Lagos to renew his visa. There, he and his wife rent a small stall in the Ikotun Market in the suburbs. But business is hard. Early in 2020, Kingsley is due to head back to China to continue his quest, but with all travel blocked by the Covid-19 epidemic, he remains stuck in Nigeria. Meanwhile, in Guangzhou, the director meets Evelyn, a Nigerian woman, trying to survive with her 6-year-old daughter and with another one on the way.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.