A work in constant progress (and occasional regress).
Featuring:
Colleen Miller, Charles Drake, Rod Taylor
Written by:
Gordon McDonell
Mel Dinelli
Czenzi Ormonde
Directed by:
Harry Keller
Release Date:
September 1, 1958
Original Title:
Step Down to Terror
Genres:
Crime | Drama | Thriller
Production Companies:
Universal International Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 76
Pursued by detectives, Johnny Walters leaves the city to visit his family in a small California town. Among the household: his dead brother's luscious widow Helen, who soon is attracted to him. Ominous events and conflicting evidence leave Helen suspicious, but uncertain about her brother-in-law as tension builds...
Art Direction:
Alexander Golitzen
Assistant Camera:
Ledge Haddow
Assistant Director:
Marshall Green
James Welch
Assistant Editor:
Richard Bracken
Best Boy Grip:
Virgil Proctor
Camera Operator:
Eddie Pyle
Costume Design:
Bill Thomas
Dialogue Coach:
Harold Goodwin
Director:
Harry Keller
Director of Photography:
Russell Metty
Editor:
Frank Gross
Gaffer:
Max Nippell
Grip:
Charles Cowie
Makeup Artist:
Bud Westmore
Monty Westmore
Nick Marcellino
Music:
Herman Stein
Heinz Roemheld
William Lava
Frank Skinner
Henry Mancini
Hans J. Salter
Producer:
Joseph Gershenson
Props:
Solly Martino
Bud Laraby
Screenplay:
Sy Gomberg
Mel Dinelli
Czenzi Ormonde
Script Supervisor:
Betty A. Griffin
Set Decoration:
Russell A. Gausman
Julia Heron
Sound:
Leslie I. Carey
Robert Pritchard
Still Photographer:
Clifford Stine
Story:
Gordon McDonell
Stunts:
Fred Carson
Unit Publicist:
Michael S. Baumohl
Visual Effects:
Clifford Stine
Wardrobe Master:
Martha Bunch
Bucky Rous
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.