A work in constant progress (and occasional regress).
Release Date:
September 30, 2020
Original Title:
Lonely Blue Night
Production Companies:
Film Independent
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 16
The consequences of a mother's decision to leave her daughter in the care of an American homestay family are slowly unearthed.
ADR Mixer:
Chris Navarro
Art Department Assistant:
Marina Kaye
Associate Producer:
Ewing Luo
Best Boy Electric:
Mathieu Séguin
Best Boy Grip:
Buddy Kamhangngham
Boom Operator:
Bo Pang
Camera Operator:
Val Tabian
Camera Production Assistant:
Justin Phillip
Casting:
Lisa Zambetti
Costume Designer:
Leila M. Li
Dialogue Editor:
Logan Romjue
Digital Imaging Technician:
Mengyao Zhang
Director:
Johnson Cheng
Director of Photography:
Carlo Mendoza
Editor:
Leo Chan
Johnson Cheng
Electrician:
Aiden Keltner
Executive Producer:
Sydney Lowe
Dea Vazquez
Francisco Velasquez
First Assistant Camera:
Christo Mercado
First Assistant Director:
Jessie Lee
First Assistant Sound Editor:
Philip D. Morrill
Gaffer:
Matthew Barauskas
Grip:
Vivien He
Key Grip:
Dave Wilwayco
Line Producer:
Rebecca Shuhan Lou
Makeup & Hair:
Dou Pothmolita
Mixing Engineer:
Peter Staubli
Post Production Supervisor:
Sue-Ellen Chitunya
Producer:
Apoorva Charan
Steve Y. Kim
Production Assistant:
Ishan Mehra
Bia Freire
Production Designer:
Yuan Wang
Script Consultant:
Ruth Atkinson
Script Supervisor:
Shuo Wan
Second Assistant Camera:
CJ Ormita
Second Assistant Director:
Ewing Luo
Sound Effects Editor:
Alex Nomick
Sound Mixer:
Tianfu Zhang
Still Photographer:
Alex Lombardi
Steven Liang
Supervising Sound Editor:
Karen Baker Landers
Writer:
Johnson Cheng
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.