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The Legend of Siegfried (2020) [N/A]

Release Date:
November 4, 2020

Original Title:
Легенда о Зигфриде

Alternate Titles:
Lecorboblan
Legenda o Zigfride

Genres:
Documentary

Production Companies:
Hypermarket Film
Tomáš Doruška Film
Tone Studio Athens

Production Countries:
Russia

Ratings / Certifications:
 N/A

Runtime: 75

Overview from TheMovieDB

The film is about the long-term relationship between the director and the character of her first film, the French indie artist, musician and director Siegfried, known as Sig. The story is dedicated to the experience of growing up, emancipation and finding their own identity in life and in art. The film raises questions about the nature of the student-teacher relationship, which inevitably involves submission and conflict, and the nature of the director and hero relationship, which is based on love and a little manipulation.

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Performers

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Production

Camera Operator:
Mariya Fedorenko
Arseniy Veytskin
Nina Zaytseva
Svetlana Strelnikova
Siegfried

Color Grading:
Braňo Pažitka

Director:
Svetlana Strelnikova

Editor:
Tomáš Doruška
Svetlana Strelnikova

Graphic Designer:
Nataliya Shendrik

Music:
Siegfried

Music Editor:
Kseniya Kazantseva

Post Production Supervisor:
Dimitris Polizos

Producer:
Svetlana Strelnikova

Screenplay:
Svetlana Strelnikova

Sound Mix Technician:
Victor Fleurant

Thanks:
Kutayba Barhamchi
Alexey Borovik
Julia Brin
Ivan Zaytsev
Denis Klebleev
Nelly Vysotskaya
Yuliya Panasenko

Title Designer:
Nataliya Shendrik

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.