A work in constant progress (and occasional regress).
Release Date:
March 19, 2021
Original Title:
The Invisible Father
Genres:
Documentary
Production Companies:
Virgil Films and Entertainment
Ratings / Certifications:
N/A
Runtime: 57
In the 1960s, beat poet and experimental filmmaker Piero Heliczer helped shape New American Cinema, and was enmeshed with iconic filmmaker Andy Warhol and The Velvet Underground at the very start of their careers. Through interviews with family and friends, found photos, and archival footage, Piero’s daughter, Thérèse Casper, explores the promise and perils of leading an authentic, creative life, and the impact that it can have on the people you leave behind in the process. Wondering if she can make peace with her absent father if she can find a connection to him through his art, she explores the artistic legacy and life of a man she never knew.
Additional Camera:
Patricia Boiko
Thérèse Heliczer
Delphine Casper
Camera Operator:
Duke Bissinger
Joe DeWitt
Dan McComb
Florent Catteau
Director:
Thérèse Heliczer
Editor:
John Jeffcoat
Executive Producer:
Thérèse Heliczer
Marisabina Russo
Music:
Eric Goetz
Ben Winwood
Producer:
Kate Keckler Dandel
Sound:
Stevie Haywood
Dan McComb
Vincent Munsch
Jeff Ringrose
Story Editor:
Eric Frith
Title Designer:
Todd Soliday
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.