A work in constant progress (and occasional regress).
Release Date:
September 24, 2020
Original Title:
Kako razgovarati s mamom
Genres:
Documentary
Production Companies:
Kinoklub Zagreb
Production Countries:
Croatia
Ratings / Certifications:
N/A
Runtime: 11
Sometimes it is necessary to go to the other side of the world to open the topic of intimacy. Sometimes it is necessary not to shoot a single frame to make a film. Sometimes there is an attempt to create closeness by increasing the distance and sometimes the impossibility to do so tries to camouflage itself with an adventure story. Sometimes I think I speak Chinese. In this travel essay written at the height of the epidemic and just after the earthquake, I asked myself a question and intended to find an answer. Now I realize that I don’t know the answer or that it may not exist at all. Now I understand, maybe we are more similar than I think.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.