A work in constant progress (and occasional regress).
Original Title:
The Woman Next Door
Ratings / Certifications:
N/A
Runtime: 19
A narrative "steeped in alienation," The Woman Next Door is the story of a reclusive male tenant in a New York City apartment, whose life is disrupted by the arrival of a new next-door neighbor. Spurred initially by simple curiosity, the tenant begins to anticipate and follow the woman's movements, eventually assuming the role of voyeur. Seen entirely from the tenant's point-of-view, this is a bleak narrative of anonymity, isolation, and expectation. Barr writes: "The man's life is so restrictive, that every sound she makes, every glimpse of her becomes a monumental event." With its echoes of Alfred Hitchcock and Michael Powell, its limited language and strict economy of means, this work relies on the visual structure and subtle ambient soundtrack to convey the narrative in a spare and minimal style.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.