A work in constant progress (and occasional regress).
Release Date:
October 2, 2020
Original Title:
Amber's Descent
Genres:
Thriller
Ratings / Certifications:
N/A
Runtime: 92
After surviving a violent encounter, renowned pianist, Amber Waltz, relocates to a rural farmhouse to complete her latest symphony. When the music mysteriously begins writing itself, Amber slowly discovers that this piece could be her last.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Animal Wrangler:
Lindsay Pearce
Art Direction:
Nathaniel Vossen
Assistant Makeup Artist:
Ramona Satar
Jessica Wager
Associate Producer:
Maritama Carlson
Co-Producer:
Michael Mitton
Ian MacDougall
Compositing Supervisor:
Ben Milstein
Costume Design:
Anja Mesic
Craft Service:
Shelley Kennedy
Dialogue Editor:
Mohammed Mohsen Ali
Director:
Michael Bafaro
Director of Photography:
Ian MacDougall
Driver:
Kelly Kruz
Drone Pilot:
Carey Missler
Editor:
Bryce Iwaschuk
Executive Producer:
Sandra McLay
First Assistant Camera:
Ali Tonkaboni
First Assistant Director:
Colm Hill
Gaffer:
Lauritz Neu
Alexander Andy
Key Grip:
Mason James Friesen
Key Makeup Artist:
Bonny Bahry
Sheleah Bradley
Lighting Technician:
Justin Sebastian
Music:
Mark Henning
Producer:
Michael Bafaro
Don Knodel
Laurie McLay
Production Assistant:
Jeffery Baker
Simon Plant
Dylan Zaska
Jennifer Orme
Production Manager:
Don Knodel
Second Assistant Camera:
Kate McCallum
Set Costumer:
Tiffany Spencer
Sound Designer:
Brody Neilsen
Sound Editor:
Joshua Peterman
Sound Mixer:
Jan Hetmer
Keaton House
Still Photographer:
Sandra McLay
Visual Effects:
Yuri Vieitas
Visual Effects Supervisor:
Rob Vigorito
Wardrobe Assistant:
Georgina Revet
Writer:
Michael Bafaro
Michael Mitton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.