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Asteroid City (2023) [PG-13]

Release Date:
June 8, 2023

Original Title:
Asteroid City

Alternate Titles:
Asteroid Şəhəri
Asteroidų miestas
Cidade do Asteroide
Thành Phố Sao Chổi
Երկնաքարի քաղաքը
آستروید سیتی
小行星都市
星城Online

Genres:
Comedy | Drama

Production Companies:
American Empirical Pictures
Indian Paintbrush
Studio Babelsberg

Production Countries:
Germany | United States of America

Ratings / Certifications:
AU: M  BE: 18  BR: 14  CA: 18A  CZ: 12+  DE: 12  DK: 7  ES: 7  FI: K-7  FR: TP  GB: 12A  GR: K12  HK: IIB  HU: 12  IE: 12A  IL: All  IT: T  JP: G  KR: 12  MX: B  NL: 12  NO: A  NZ: M  PL: 12  PR: PG-13  PT: M/12  RO: 12  SE: 7  SG: M18  TH: 13  TR: 13+  TW: 0+  US: PG-13 

Runtime: 105

Keep telling the story.

Overview from TheMovieDB

In an American desert town circa 1955, the itinerary of a Junior Stargazer/Space Cadet convention is spectacularly disrupted by world-changing events.

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Additional information:

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Performers

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Production

3D Artist:
Alessandro Aglietti

Actor's Assistant:
Noor Lawson

Additional Editor:
Andrew Weisblum

Animation:
Kim Keukeleire

Armorer:
Jaime Fortea

Art Department Coordinator:
Christine Mouchard

Art Department Production Assistant:
Peaches Harrison

Art Direction:
Fernando Contreras Díaz
Alejandro Cymerman
Leonardo Grillo
Gabriel Liste
Antonio Calvo-Domínguez

Assistant Costume Designer:
Sara O'Donnell
Marco Piemontese
Raffaella Fantasia

Assistant Editor:
Fran Barba
Lucy Benson
William Bright
Ana Gabriela Fernández Walean
Caroline Rowlands

Assistant Foley Artist:
Daniel Moctezuma

Assistant Location Manager:
Rubén Gundín
Paco Úbeda

Assistant Production Coordinator:
Mario Parra Barba

Assistant Set Decoration:
Sonia Nolla
Kat Tedesco

Assistant Set Decoration Buyer:
Louise Pichon

Assistant Set Dresser:
Héctor Echávarri
Rubén Tamayo

Associate Producer:
Molly Rosenblatt

Best Boy Electric:
Pablo Dolado

Best Boy Grip:
Óscar Cano
Benjamin Vial

Boom Operator:
Jaime Llanos

Camera Loader:
Truman Hanks

Carpenter:
Javier Orgaz

Casting:
Douglas Aibel

Casting Associate:
Sara Bilbatúa
Rosa Binod
Deborah Maxwell Dion
Matthew Glasner

Clearances Coordinator:
Wendy Cohen

Co-Producer:
John Peet
Octavia Peissel

Colorist:
Doychin Margoevski
Gareth Spensley

Compositing Supervisor:
Jason Hayes
Jack Rhys Phillips

Concept Artist:
Alexios Chrysikos
Victor Georgiev
Turlo Griffin
Carl Sprague

Construction Coordinator:
Steph Guerreau

Costume Coordinator:
Charlotte Nguyen

Costume Design:
Milena Canonero

Costume Illustrator:
Christian Cordella
Elisabetta Frijia

Costumer:
Daniel Gonzalez
Alexis Vérité

Crowd Assistant Director:
Maria Bardi
Rebecca Cornford
Eva Ferradas
Gonzalo Fernández G
Emmanuel Granados
Victor Quintero
Alejandra Rey
Ricardo Ron Pérez

Daily Electrics:
Luke Greenan

Dialogue Editor:
Russell Farmarco

Digital Compositor:
Alex Balmer
Kyran Bishop
Jo De Mey
Elisa Mar Ferre
Federico Funari
Ludovic Gramont
Sarah Juniper
Gabriella Kassinou
Robin Leeb
Teresa Lozano Pastor
Stacy Mangan
Mary Mullan
Manuel Plach
Charly Saujot
Jerome Tai
Valerie Wöllner

Director:
Wes Anderson

Director of Photography:
Robert D. Yeoman
Tristan Oliver

Draughtsman:
Ana Martínez Fernández
Borja Morant

Driver:
Imma Gonzalez
Inãki Pérez Morante

Editor:
Barney Pilling

Electrician:
Carlos Bixquert
Chús López
Sergio Mantecón
Gonzalo Mañana
Xavi Ruiz
Nacho Solera

Executive Producer:
Christoph Fisser
Henning Molfenter
Roman Coppola
Carl Woebcken

Finance:
Beatrice Giraud

First Assistant Camera:
Vincent Scotet
Mark Swaffield

First Assistant Director:
Atilla Salih Yücer

First Assistant Editor:
Caroline Rowlands

Foley Artist:
Steve Baine

Foley Mixer:
Peter Persaud

Gaffer:
Gregory Fromentin

Graphic Designer:
Lucile Gauvain
Erica Dorn

Grip:
Roger Sandaker
José Ángel Manrique

Hair Designer:
Julie Dartnell

Hairstylist:
Selmo del Campo
Esther Liébana

Key Grip:
Sanjay Sami
Benjamin Vial

Key Rigging Grip:
Christian Trujillo

Key Set Costumer:
Chloé Lesueur

Legal Services:
Avy Eschenasy

Lighting Design:
Matt Daw

Lighting Programmer:
Sarah Brown
John McGarrigie

Lighting Technician:
Eric Belda
Gonzalo Felix de Castro

Line Producer:
Frédéric Blum

Location Manager:
Ricardo Ferrari

Makeup & Hair:
Niall Monteith-Mann
Claire Matthews
Anastasia Storey
Inma Azorin
Ann Fenton

Makeup Artist:
Pilar Camacho Paulino
Veronica Almendros
Aida Carballo
Lisa Hernandez

Makeup Designer:
Julie Dartnell

Makeup Supervisor:
Julia Vernon

Matte Painter:
Paul Phippen

Music Coordinator:
Meghan Currier

Music Editor:
Robin Baynton

Music Supervisor:
Randall Poster

Original Music Composer:
Alexandre Desplat

Other:
Kimberly Pope
Joe Thad Deahl

Painter:
Vincent Audoin
François Morel

Picture Car Coordinator:
Stewart Homan

Post Production Coordinator:
Lewis Humble

Producer:
Jeremy Dawson
Steven M. Rales
Wes Anderson

Producer's Assistant:
Katharine Stocker

Production Accountant:
Emma Fuller

Production Assistant:
Victor Bergadà

Production Design:
Adam Stockhausen

Production Driver:
Emilio R. López

Production Executive:
Ali Moshref

Production Office Assistant:
Borja Mochón

Property Buyer:
Elias Robles

Property Master:
Sandy Hamilton

Props:
Michael Koelsch
Jesús Ortiz Fernández
Charlotte Osinga
Robert Wiesner

Prosthetics:
Paul Jones
Waldo Mason
Richard Martin
Gary Archer

Prosthetics Sculptor:
Sebastian Lochmann

Rigging Gaffer:
Carlos Bujedo

Roto Supervisor:
Ben Johnston

Rotoscoping Artist:
Gabriele Margara

Scenic Artist:
Laura Fernández Mon

Screenplay:
Wes Anderson

Script Supervisor:
Jennifer Furches

Sculptor:
Roberto Bolea
Luigi Ottolino
Paco Valderrama
Ana Valle

Seamstress:
Patricia Colin

Second Assistant Accountant:
Sandra Castellano

Second Assistant Camera:
Felix Terreyre Saint-Cast

Second Assistant Director:
Gemma Nunn

Second Second Assistant Director:
María Herrera Badía

Second Unit Director:
Martin Scali

Sequence Lead:
Zsolt Sebok

Set Decorating Coordinator:
Carlos Saponi

Set Decoration:
Kris Moran

Set Dresser:
Tanis Villar
Pau Albin
Pedro Godoy

Set Production Assistant:
Honor Northridge

Sound Effects Editor:
Luis Galdames
Taylor Flinn

Sound Mixer:
Valentino Giannì

Sound Re-Recording Mixer:
Wayne Lemmer
Chris Scarabosio

Special Effects:
Carlos Lagunas

Special Effects Coordinator:
Teresa Costa

Special Effects Makeup Artist:
Chris Lyons

Special Effects Supervisor:
Pau Costa
Tono Garzón

Special Effects Technician:
Felipe Dorado
Hugo André Nunes

Special Props:
Paco Santamaria

Standby Art Director:
Carmen Ruiz de Huidobro

Standby Painter:
Catherine Little

Standby Property Master:
Mike Drury
Benoît Herlin

Steadicam Operator:
Sanjay Sami

Still Photographer:
Roger Do Minh

Story:
Roman Coppola
Wes Anderson

Storyboard Artist:
Jay Clarke

Stunt Coordinator:
Dominique Fouassier

Stunt Driver:
Sébastien Fouassier

Supervising Art Director:
Stéphane Cressend

Supervising Sound Editor:
Wayne Lemmer
Chris Scarabosio

Thanks:
Martin Scorsese

Third Assistant Director:
Guy Trevellyan

Translator:
Oskar Valles

Transportation Coordinator:
Sonia Parada

Travel Coordinator:
Marta González Jerez

Unit Manager:
Bertrand Girard

VFX Editor:
Carlo Milillo
Simon Harris
Simon Pannequin

VFX Production Coordinator:
Olivia du Vergier

VFX Supervisor:
Jim Parsons

Visual Effects:
Michael Christ
Will Phillips
Thomas Rath

Visual Effects Assistant Editor:
Nicholas Cereola

Visual Effects Compositor:
Jorgo Gjikopulli
Nikos Pittas
Tom Tatchell
Juan Valenzuela Alcaraz
Anthony Williams
Alasdair Wynn

Visual Effects Coordinator:
Rebecca Cornford
Patricia Manes Weber
Nadège Moreau
Natasha Nader
Jacob Percival

Visual Effects Director:
Matthew Bristowe

Visual Effects Editor:
Simon Harris
Carlo Milillo

Visual Effects Producer:
Sebastián Eyherabide
Mira Djovcos
Abhishek Kumar
Lucy Lawson-Duckett
Guillaume Marien
Samantha Rocca
Peter Rogers
Valentin Struklec
Konstantina Vonorta
Emma Watterson

Visual Effects Production Manager:
Marta Baidek

Visual Effects Supervisor:
Franz Brandstaetter
Jonathan Cheetham
Mark Holman Harris
Lev Kolobov
Tim Ledbury
Anthony Lyant
Cale Pugh
Llyr Williams

Wardrobe Supervisor:
Patricia Colin

Wigmaker:
Gemma Dillon

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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