A work in constant progress (and occasional regress).
Release Date:
April 4, 2002
Original Title:
아름다운 생존: 여성 영화인이 말하는 영화
Alternate Titles:
Arumdaun Saengjon - Yeoseong yeonghwaini malhaneun yeonghwa
Keeping the Vision Alive
Keeping the Vision Alive: Women in Korean Filmmaking
Women in Korean Filmmaking
讓我拍下去
Genres:
Documentary
Production Companies:
Women in Film Korea
여성영화인모임 중앙대학교 첨단영상대학원
Production Countries:
South Korea
Ratings / Certifications:
N/A
Runtime: 51
Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)
Director:
Yim Soon-rye
Producer:
Lee Sun-jin
Joo Jin-sook
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.