A work in constant progress (and occasional regress).
Release Date:
April 28, 2005
Original Title:
The Hitchhiker's Guide to the Galaxy
Alternate Titles:
Guía del viajero intergaláctico
H2G2, le guide du voyageur galactique
Haikerens guide til galaksen
La Guia del Viajero
O Mochileiro das Galáxias
Pöidlaküüdi reisijuht galaktikas
Stoparski vodnik po Galaksiji
Vodič kroz galaksiju za autostopere
Genres:
Adventure | Comedy | Science Fiction
Production Companies:
Everyman Pictures
Hammer & Tongs
Spyglass Entertainment
Touchstone Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: PG BE: 14 BG: B BR: L CA: PG CH: 6 CZ: 15+ DE: 6 DK: 11 ES: 7 FI: K-12|K-11 FR: U GB: PG HU: 12 IE: 12 IT: T JP: G KR: ALL NL: 14 NO: 12 NZ: PG PL: AL PT: M/12 SE: 11 US: PG
Runtime: 109
Mere seconds before the Earth is to be demolished by an alien construction crew, Arthur Dent is swept off the planet by his friend Ford Prefect, a researcher penning a new edition of "The Hitchhiker's Guide to the Galaxy."
"A" Camera Operator:
Simon Finney
3D Animator:
Dimitri Bakalov
ADR Editor:
Tony Currie
ADR Mixer:
Paul Drenning
Peter Gleaves
ADR Recordist:
Mark Appleby
ADR Supervisor:
Bjørn Ole Schroeder
ADR Voice Casting:
Vanessa Baker
Accountant:
Rob Meisenholder
Aerial Director of Photography:
John Marzano
Animation Director:
Jamie McCarter
Animatronics Designer:
Richard Darwin
Art Department Assistant:
Rebecca Amissah
Art Department Coordinator:
Tim Jetis
Art Department Trainee:
Claire Garrett
Art Direction:
Alan Cassie
Phil Sims
Andy Thomson
Daniel May
Assistant Accountant:
Hayley Lyon
Assistant Art Director:
Dean Clegg
Assistant Camera:
Shaun Cobley
Assistant Costume Designer:
Charlotte-Rose Armstrong
Assistant Director:
Iain Lawrence
Assistant Location Manager:
Camilla Stephenson
Assistant Sound Editor:
Robin Knapp
Best Boy Electric:
Stewart Monteith
Boom Operator:
Robin Green
CG Artist:
Fernanda Moreno
CG Supervisor:
Jonathan Neill
Camera Trainee:
Darren Vincent
Carpenter:
Warren Lever
Casting:
Marcia Ross
Casting Assistant:
Lucy St Giles
Casting Associate:
Nadia Aleyd
Clapper Loader:
Susan Luciani
Co-Producer:
Rebekah Rudd
Todd Arnow
Caroline Hewitt
Color Timer:
Phil Ashton
Conductor:
Christopher Austin
Contact Lens Technician:
Jemma Scott-Knox-Gore
Costume Assistant:
Denny Edwards
Costume Design:
Sammy Sheldon
Costume Supervisor:
Rosemary Burrows
Crowd Assistant Director:
Chris Croucher
Dialogue Editor:
Andy Shelley
Digital Compositors:
Richard Baker
Digital Intermediate Producer:
Carrie Holecek
Director:
Garth Jennings
Director of Photography:
Igor Jadue-Lillo
Dresser:
Jo Budden
Dressing Prop:
Michael Fleming
Driver:
Tim Earl
Editor:
Niven Howie
Electrician:
Joey Coughlin
Executive Producer:
Derek Evans
Robbie Stamp
Douglas Adams
First Assistant Camera:
John Gamble
First Assistant Director:
Richard Whelan
First Assistant Editor:
Mark Harris
Focus Puller:
Chas Bain
Foley Artist:
Diane Greaves
Jack Stew
Gaffer:
Eddie Knight
Graphic Designer:
Anita Dhillon
Greensman:
Tim Lanning
Grip:
Ian Buckley
Hair Designer:
Liz Tagg
Hairstylist:
Nikita Rae
Key Costumer:
Celia Yau
Key Grip:
John Arnold
Key Set Costumer:
Sunny Rowley
Libra Head Technician:
Tim Dean
Location Assistant:
Billy Pegg
Location Manager:
David Broder
Location Scout:
Philip Clark
Makeup Artist:
Paul Gooch
Makeup Designer:
Liz Tagg
Mechanical Designer:
Oliver Jarlett
Mixing Engineer:
Mark Wyllie
Negative Cutter:
Mark Wright
Novel:
Douglas Adams
Orchestrator:
Christopher Austin
Original Music Composer:
Joby Talbot
Painter:
Bruce Gallup
Post Production Coordinator:
Judith Babcock
Post Production Supervisor:
Abby Callahan
Producer:
Roger Birnbaum
Nick Goldsmith
Jonathan Glickman
Jay Roach
Gary Barber
Production Accountant:
Kate Griffin
Production Assistant:
Leo Burton
Production Controller:
Gary Gillingham
Production Coordinator:
Deryn Stafford
Production Design:
Joel Collins
Production Executive:
Jeffrey Chernov
Production Manager:
Daniel Pettipher
Production Runner:
Denise Hanrahan
Projection:
Jan Meade
Property Master:
Bruce Bigg
Propmaker:
Colin Childs
Prosthetic Makeup Artist:
Duncan Jarman
Matthew Smith
Rigging Gaffer:
Ronnie Phillips
Rotoscoping Artist:
Laura Dubsky
Screenplay:
Karey Kirkpatrick
Douglas Adams
Second Assistant Camera:
Chris Dale
Second Assistant Director:
Tamana Bleasdale
Second Unit Director:
Dominic Leung
Sequence Supervisor:
Warwick Campbell
Set Costumer:
Tamsin Wright
Set Decoration:
Kate Beckly
Set Dressing Artist:
Christian Kennedy
Set Production Assistant:
Rose Wilde
Set Runner:
Mark Hopkins
Sound Designer:
Alastair Sirkett
Sound Effects Editor:
Alastair Sirkett
Sound Mixer:
Mark Holding
Special Effects Coordinator:
Wilma Dunn
Special Effects Makeup Artist:
Nathaniel De'Lineadeus
Chris Lyons
Special Effects Technician:
Laurence Harvey
Stand In:
Jason Rayford
Steadicam Operator:
Paul Edwards
Still Photographer:
Laurie Sparham
Storyboard Artist:
Tony Chance
Stunt Coordinator:
Jim Dowdall
Stunts:
Andy Bennett
Supervising Art Director:
Frank Walsh
Supervising Carpenter:
Paul Duff
Supervising Music Editor:
Michael Connell
Supervising Sound Editor:
Ian Wilson
Technical Supervisor:
Verner Gresty
Thanks:
Spike Jonze
Third Assistant Director:
David Decio
Title Designer:
Jon Hollis
Transportation Coordinator:
Simon Jones
Underwater Camera:
Mike Valentine
Unit Manager:
Bobby Prince
Unit Production Manager:
Peter Heslop
Unit Publicist:
Deborah Simmrin
VFX Artist:
Oliver Faldo
VFX Director of Photography:
Rick Mietkowski
Video Assist Operator:
Demetri Jagger
Visual Effects:
Alistair Bell
Visual Effects Assistant Editor:
Steve Pang
Visual Effects Coordinator:
Ben Flatter
Visual Effects Editor:
PJ Harling
Visual Effects Producer:
Ken Dailey
Visual Effects Supervisor:
Angus Bickerton
Wardrobe Master:
Russell Barnett
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.