A work in constant progress (and occasional regress).
Release Date:
November 2, 2011
Original Title:
Forces spéciales
Alternate Titles:
Flucht durch die Berge
Forças Especiais
Fuerzas especiales
Special Forces - Flucht durch die Berge
Terytorium Wroga
Ειδικές Δυνάμεις
Загін спеціального призначення
Отряд особого назначения
特种部队
特種部隊(2018)
Genres:
Action | Drama | War
Production Companies:
A Plus Image 2
Canal+
Easy Company
Sofica Manon
StudioCanal
TPS Star
Production Countries:
France
Ratings / Certifications:
CH: 16 DE: 16 GR: Κ-15 KR: 15 RU: 18+ US: R
Runtime: 109
Afghanistan. War correspondent Elsa Casanova is taken hostage by the Taliban. Faced with her imminent execution, a Special Forces unit is dispatched to free her. In some of the world’s most breathtaking yet hostile landscapes, a relentless pursuit begins between her kidnappers who have no intention of letting their prey escape them and a group of soldiers who risk their lives in pursuit of their single aim – to bring her home alive. This strong, independent woman and these men of duty are thrown together and forced to confront situations of great danger that inextricably bind them – emotionally, violently and intimately.
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Adaptation:
Michael Cooper
Stéphane Rybojad
Casting:
Juliette Ménager
Costume Design:
Céline El Mazouzi
Director:
Stéphane Rybojad
Director of Photography:
David Jankowski
Editor:
Erwan Pecher
Stéphane Rybojad
Head Decorator:
Christophe Jutz
Makeup Department Head:
Flore Masson
Original Music Composer:
Xavier Berthelot
Producer:
Thierry Marro
Benoit Ponsaillé
Production Design:
Christophe Jutz
Script Consultant:
Emmanuelle Collomp
Sound:
Arnaud Lavaleix
Stunts:
Stéphane Orsolani
Frédéric Alhinho
Writer:
Stéphane Rybojad
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.