A work in constant progress (and occasional regress).
Release Date:
October 8, 2020
Original Title:
Dear Santa
Genres:
Documentary
Production Companies:
UM Studios — Universal McCann
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 82
An elixir to our current state, "Dear Santa" takes us on the fanciful and poignant journey of a little known program called Operation Santa. For more than 100 years, human elves have been helping Santa respond to the thousands of letters children write and mail to him. This gripping documentary crisscrosses the country, following the most emotional letters as the elves work hard to make sure each child’s Christmas dreams come true.
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Additional Editing:
Kurt Kuenne
Associate Producer:
Erin Conte
Director:
Dana Nachman
Chelsea Matter
Director of Photography:
Martina Radwan
Mike Abela
Editor:
Jennifer Steinman Sternin
Music Supervisor:
Angela Asistio
Producer:
Chelsea Matter
Brendan Gaul
Dana Nachman
Production Assistant:
Jackson Ezinga
Sound Mixer:
Mike Matthews
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.