A work in constant progress (and occasional regress).
Release Date:
February 1, 2009
Original Title:
Al-mor wa al rumman
Alternate Titles:
Al Mor wa Al Rumman
Genres:
Drama
Production Companies:
Ciné-Sud Promotion
Desert Door Productions
Rif Film
Ustura Films
ZDF/Arte
Production Countries:
France | Germany | Kuwait | Palestinian Territory
Ratings / Certifications:
CH: 16 FR: 12 IE: 12 PL: 16 RO: 15
Runtime: 95
A free spirited woman dancer, Kamar, finds herself the lonely wife of a prisoner, Zaid, and away from everything she loves until she returns to the dance, defying societys taboos. At the dance Kamar is confronted with Kais, a Palestinian returnee. Sparks fly between Kamar and Kais, creating more than a passionate, emotional dance for the both of them. Matters become even more complicated when Zaid's sentence is extended. Kamar's life is thrown into turmoil as she becomes increasingly attached to Kais, and caught in the midst of her desire to dance and breaking the family and society taboos of the prisoner's wife's role while life under occupation rages on.
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Additional Sound Re-Recordist:
Issa J. Qumsyah
Assistant Makeup Artist:
Mohammad Kamis Tobal
Boom Operator:
Raed Bashir
Casting:
Salim Abu Jabal
Co-Producer:
Kamal El Kacimi
Daniel Gräbner
Thierry Lenouvel
Robin Gutch
Commissioning Editor:
Meinolf Zurhorst
Director:
Najwa Najjar
Director of Photography:
Valentina Caniglia
Dresser:
Mahmoud Qawasme
Editor:
Bettina Böhler
Sotira Kyriacou
Foley Artist:
Dieter Hebben
Foley Editor:
Matthias Saenger
Foley Recordist:
Michael Frenken
Hair Designer:
Hanna Eid
Key Makeup Artist:
Nicole Bonté
Line Producer:
Marian Ehret
Makeup & Hair:
Emile Kort
Original Music Composer:
Mychael Danna
Amritha Vaz
Producer:
Hani E. Kort
Sound Designer:
Boris Goltz
Sound Re-Recording Assistant:
Alexander Weuffen
Sound Re-Recording Mixer:
Tilo Busch
Sound Recordist:
Thorsten Bolzé
Wardrobe Coordinator:
Faten Asfour
Wardrobe Designer:
Dema Abdul Hadi
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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