A work in constant progress (and occasional regress).
Release Date:
September 4, 2020
Original Title:
Motus
Genres:
Drama
Production Companies:
2.4.7. Films
Canal+
Pictanovo
Région Hauts-de-France
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 18
Alice is a victim of sexual abuse, and like many victims, lived in silence for years, ashamed, tortured by guilt, afraid to reveal the truth. When Alice starts reading from her teenage diary she finally summons enough courage to confront the man she holds responsible for her suffering.
Administration:
Katia Pierre
Assistant Editor:
Caroline Debia
Assistant Production Design:
Antoine Valente
Associate Producer:
Xavier Rigault
Marc-Antoine Robert
Casting:
François Rivière
Color Timer:
Jacky Lefresne
Costume Design:
Marine Galliano
Director:
Elodie Wallace
Director of Photography:
Julien Bullat
Editor:
Audrey Bauduin
Electrician:
Maurine Thiebaut
Cécile Hannequin
First Assistant Camera:
Fleur Tognet
First Assistant Director:
Arthur Guerrand
Foley Artist:
Romain Anklewicz
Key Grip:
Axel Gaillard
Key Makeup Artist:
Faustine-Léa Violleau
Makeup Artist:
François Laly
Music Editor:
Bruno Alexiu
Original Music Composer:
Angelo Foley
Painter:
Camille Lemonnier
Producer:
Laurence Méoc
Production Assistant:
Hélène Relier
Production Design:
Sébastien Gondek
Production Manager:
Clara Gonzalez
Property Master:
Coline Débée
Screenplay:
Elodie Wallace
Script Consultant:
Frédéric Gélard
Script Supervisor:
Mélanie Parent-Chauveau
Second Assistant Camera:
Romane Ducros
Second Assistant Director:
Ismaël Deswarte
Sound:
Romain Gontier
Sound Editor:
Florent Denizot
Sound Mixer:
Damien Lazzerini
Unit Manager:
Anatole Vigliano
Unit Production Manager:
Clémentine Vanier
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.