A work in constant progress (and occasional regress).
Release Date:
February 1, 2020
Original Title:
Half Blue
Ratings / Certifications:
N/A
Runtime: 10
Half Blue is part of the Joe Namy’s long-term poetic exploration on the colors, tones, and language that have emerged around the increasing militarization of police and the greater impact of this aggression, specifically on the artist’s family, friends, and community. The sound piece addresses the many forms of injustice that are symptomatic of aggressive policing, from direct physical violence on communities held suspect, or as systematic violence from a justice system that values certain lives, skin tones, and cultural groups over others. In Half Blue, Namy offers a space for contemplation, a space to honor those who have fallen victim to this type of injustice, and a space to celebrate strategies for coping and resilience.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.