Home

Bridal of Rose ~The Promise Exchanged at Midnight~ (2002) [N/A]

Release Date:
March 22, 2002

Original Title:
薔薇の婚礼 ～真夜中に交わした約束～

Alternate Titles:
Bara no Konrei
Bara no Konrei ~Mayonaka ni Kawashita Yakusoku~
MALICE MIZER: Bridal of Rose
Wedding Rose
マリスミゼル: Bara no Konrei

Genres:
Drama | Horror | Thriller

Production Companies:
GAGA Communications
KSS
Midi:Nette

Production Countries:
Japan

Ratings / Certifications:
 N/A

Runtime: 78

This story is a fable based on blood.

Overview from TheMovieDB

A silent film retelling of Bram Stoker's Dracula starring and soundtracked by Malice Mizer. Jonathan (Klaha), engaged to Cecil (Terumi Nagayoshi) has received a letter from the Earl of Dracula (Yu~ki) who asks him to travel to Transylvania to finalize the purchase of a manor which causes him to push back his wedding, soon after he arrives Dracula imprisons Jonathan and travels to London to meet Cecil. Meanwhile, the resident Vampire in London (Közi) is not happy that Dracula has gone there to hunt and attempts to thwart Dracula's wishes but is prevented by his sister the Nun (Mana) who is a minion of Dracula.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Co-Executive Producer:
Katsuaki Takemoto
Hideo Takano

Co-Producer:
Yasushi Sakagami
Hiromitsu Suzuki

Director:
Hiroyuki Muto

Director of Photography:
Chikara Ishigaki

Executive Producer:
Yukio Nihira
Shin'ichi Umagami

Novel:
Bram Stoker

Producer:
Yoshie Hayashi
Tsutomu Kuno

Songs:
MALICE MIZER

Writer:
Hiroyuki Muto

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.