A work in constant progress (and occasional regress).
Release Date:
September 3, 2020
Original Title:
The Witch of Kings Cross
Genres:
Documentary
Ratings / Certifications:
FR: 12|16
Runtime: 78
Sydney, in the 50s. Rosaleen Norton is a painter specialised in occult themes, infernal sabbatical visions exuding wanton sexuality. In conservative Australia, the Witch of King's Cross was soon accused of obscenity, and of taking part in satanic rituals, orgies and whatnot...
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Additional Editing:
Fiona Strain
Assistant Camera:
Christine Chahoud
Choreographer:
Maya Sheridan-Martinez
Cinematography:
Eddy Gill
Costume Designer:
Laura McGenniss
Director:
Sonia Bible
Gaffer:
Grahame Dixon
Hair Designer:
Boo Talbot
Makeup Artist:
Jean-Louis de Lapanouse
Romeo Angelo Recupido
Producer:
Peter Butt
Sonia Bible
Producer's Assistant:
Andrew Hall
Production Design:
Eve Waugh
Researcher:
Imogen Semmler
Standby Property Master:
Oliver Levi-Malouf
Writer:
Sonia Bible
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.