Home

Sweet Autumn (2020) [N/A]

Release Date:
October 17, 2020

Original Title:
Sweet Autumn

Genres:
Comedy | Romance | TV Movie

Production Companies:
Reel One Entertainment
The Cartel

Production Countries:
Canada | United States of America

Ratings / Certifications:
NL: AL 

Runtime: 80

Overview from TheMovieDB

Maggie, a successful entrepreneur, returns home for a will reading and discovers she’s inherited half of her aunt’s famed maple candy business. What she doesn’t understand is why Aunt Dee’s maple supplier, Dex, inherited the other half. Her return also coincides with the town’s Sweet Autumn Fest, and through a series of letters Aunt Dee left, Maggie and Dex search for the reason behind her aunt’s final wishes. As she and Dex grow closer, Maggie must decide if the life she built is the one she wants.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
Len Peterson

"B" Camera Operator:
Casey Harrison

ADR Editor:
Alan Schultz

Art Direction:
Jesse Miki

Assistant Editor:
Alex Lamb

Assistant Hairstylist:
Travis Marszalek
Ava Foster

Assistant Production Coordinator:
Boeseya Petra

Assistant Property Master:
William Konrad
Nathan Enns

Boom Operator:
Sheldon Williamson

Camera Trainee:
Ryan Offenloch
Adan Yasinski

Casting:
Penny Perry

Co-Costume Designer:
Pieter Jongbloed

Co-Executive Producer:
Anthony Fankhauser

Co-Producer:
Devan Towers

Costume Design:
Rachael Poklitar
Pieter Jongbloed

Costume Designer:
Rachael Poklitar

Costume Set Supervisor:
Kira Bessette

Dialogue Editor:
Craig Shafer

Digital Compositor:
Neal Sopata
Tammy Klein

Digital Imaging Technician:
Terrance Silva

Digital Intermediate Colorist:
Bryan McMahan

Director:
Gary Yates

Director of Photography:
Paul Suderman

Editor:
Bill Lynch

Executive Producer:
Tom Berry
Stan Spry
Eric Scott Woods

Extras Casting:
Lori Stefaniuk
Patricia Kress

First Assistant "A" Camera:
Devon Unrau

First Assistant "B" Camera:
Steven K. Johnson

First Assistant Accountant:
Alex Kropla

First Assistant Director:
Ehud Ellman

Foley Mixer:
Colin Rogers

Graphic Designer:
Jesse Bergen

Hair Department Head:
Stacey Mendoza

Key Makeup Artist:
Kim Wright
Margarita Vailas

Location Manager:
Drew Scurfield

Makeup Department Head:
Kristy Greig

Music:
Christopher Guglick

Post Producer:
Melinda Wells McCabe

Post Production Coordinator:
Jessa Gordon

Production Accountant:
Mike Hurley

Production Coordinator:
David Franceschetti

Production Design:
Gordon Wilding

Production Manager:
Aaron Graham

Property Master:
Don Greenberg

Script Supervisor:
Puneet Chawla

Second Assistant "A" Camera:
Chad Simon

Second Assistant "B" Camera:
Joao Pedro de Simone Balseiro

Second Assistant Director:
Diana Kim

Set Decoration:
Ian Bastin

Set Dresser:
Mack Norberg

Sound Effects Editor:
Craig Shafer

Sound Mixer:
Brian Hiebert

Sound Re-Recording Mixer:
Kyle O'Neil

Special Effects Coordinator:
Davin MacRae

Still Photographer:
Steven Ackerman

Stunt Coordinator:
Rick Skene

Stunt Double:
Kristen Sawatzky
Jake Kennerd

Supervising Sound Editor:
Alan Schultz

Third Assistant Director:
Liam Karp

Truck Supervisor:
Brenda Zachanowich

VFX Artist:
Glenn Campbell

Visual Effects Producer:
Scott Wheeler

Writer:
Tyler Straessle

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.