A work in constant progress (and occasional regress).
Release Date:
September 12, 2020
Original Title:
Aniksha
Genres:
Drama
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 20
In the wake of her arranged marriage, a young woman in Mauritius begins a job at a call centre. Her first steps toward independence have repercussions no one could have expected.
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Accountant:
Bipin Bacha
Art Direction:
Valérie-Jeanne Mathieu
Assistant Art Director:
Alexia Acker
Boom Operator:
Naomi Baveuse
Deoraj Narayadu
Casting:
Romain Blanchet
Catering:
Yanick Bablee
Choreographer:
Andrea Pena
Color Assistant:
Thomas Laliberté-Roy
Colorist:
Marc Boucrot
Director:
Vincent Toi
Director of Photography:
Antoine Ryan
Editor:
Daniel Dietzel
First Assistant Camera:
Sébastien Blais
First Assistant Director:
Sophie Robert
Gaffer:
Pascal Pierre Louis
Richard Vadamootoo
Graphic Designer:
Kelsey Wilson
Grip:
Armand Cauvelet
Key Makeup Artist:
Nousraat Meajaun
Makeup Artist:
Dominique Chan
Jessica Grassy
Makeup Department Head:
Sabina Esoof
Music:
Tobias Rochman
Producer:
Guillaume Collin
Vincent Toi
Production Assistant:
Rikesh Bhoojedhur
Production Consultant:
Gavin Poonoosamy
Production Manager:
Guillaume Collin
Script Consultant:
Daniel Canty
Script Supervisor:
Rebecca Tang Pong
Sound Editor:
Simon Gervais
Sound Re-Recording Mixer:
Philippe Rochefort
Sound Recordist:
Pierre Gerval
Story:
Vincent Toi
Blandine Emilien
Technical Supervisor:
Alexis Cadorette-Vigneau
Unit Manager:
Arnaud Mariole
Writer:
Vincent Toi
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.