A work in constant progress (and occasional regress).
Release Date:
August 14, 1980
Original Title:
La moglie in vacanza... l'amante in città
Alternate Titles:
La moglie in vacanza... l'amante in città
La mujer de vacaciones, la amante en la ciudad
Genres:
Comedy
Production Companies:
Dania Film
Imp.Ex.Ci.
Les Films Jacques Leitienne
Medusa Distribuzione
Production Countries:
France | Italy
Ratings / Certifications:
ES: 16 IT: T
Runtime: 90
Andrea Damiani sends his wife Valeria off on a skiing holiday so he can spend time with his demanding mistress, Giulia. Little does he suspect that Valeria is having a rendezvous with a Count she recently met. However, Valeria does not know that 'Count' Giovanni is really just a manager's assistant, namely, Andrea's.
Administration:
Raffaello Saragò
Assistant Camera:
Bruno Cascio
Assistant Editor:
Teresa Negozio
Silvana Di Legge
Assistant Production Design:
Giovanfrancesco Fantacci
Boom Operator:
Massimo Mariani
Camera Operator:
Enrico Lucidi
Costume Design:
Silvio Laurenzi
Director:
Sergio Martino
Director of Photography:
Giancarlo Ferrando
Editor:
Eugenio Alabiso
First Assistant Director:
Massimo Manasse
Alain Sens-Cazenave
Gaffer:
Armando Moreschini
Hairstylist:
Paolo Franceschi
Key Grip:
Matteo Giordano
Makeup Artist:
Franco Schioppa
Marcello Meniconi
Original Music Composer:
Detto Mariano
Producer:
Luciano Martino
Production Design:
Adriana Bellone
Production Manager:
Sergio Borelli
Production Secretary:
Colette Guedon
Property Master:
Adriano Tiberi
Screenplay:
Ottavio Jemma
Sergio Martino
Giorgio Mariuzzo
Francesco Milizia
Michele Massimo Tarantini
Jean Louis
Script Supervisor:
Mirella Malatesta
Seamstress:
Clary Mirolo
Sound:
Roberto Petrozzi
Sound Mixer:
Danilo Moroni
Special Effects:
Paolo Ricci
Still Photographer:
Francesco Narducci
Story:
Luciano Martino
Francesco Milizia
Unit Manager:
Francesco Fantacci
Evi Farinelli
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.