A work in constant progress (and occasional regress).
Release Date:
August 20, 2020
Original Title:
A ProCura Que Vai Chegar
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 6
Three people with different trajectories and lives but united by the same objective: to find a cure for close people who fell ill. Time is short, 14 days. Three axes of search, music, chemical alchemy and witchcraft. Does somehow end the search for the cure that will arrive? Society is sick, consequently you are too.
Art Direction:
Yzabella Oliveira
Abraão Kimberley
Lara Júlia
Ícaro Pio
Assistant Director:
Ícaro Pio
Yzabella Oliveira
Color Grading:
Yzabella Oliveira
Colorist:
Yzabella Oliveira
Director:
Abraão Kimberley
Ícaro Pio
Lara Júlia
Director of Photography:
Yzabella Oliveira
Editor:
Gabriel Fausztino
Executive Producer:
Ícaro Pio
Production Director:
Ícaro Pio
Yzabella Oliveira
Lara Júlia
Abraão Kimberley
Screenplay:
Ícaro Pio
Abraão Kimberley
Lara Júlia
Sound Director:
Riwa Saab
Abraão Kimberley
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.