A work in constant progress (and occasional regress).
Release Date:
December 25, 2007
Original Title:
The Bucket List
Alternate Titles:
Ahora o Nunca
Antes de partir
最高の人生の見つけ方:2007
玩转身前事
Genres:
Comedy | Drama
Production Companies:
Reiner / Greisman Productions
Two Ton Films
Zadan / Meron Productions
Production Countries:
United States of America
Ratings / Certifications:
AT: AA AU: M BR: 14 CA: G CH: 16 DK: A ES: 12 FR: TP GB: 12A GR: PG HU: 16 IE: 12A JP: G KR: 12세이상관람가 NL: 6 NO: 12 PL: 16 PT: M/12 RO: 12 SE: Btl TW: 保護級 US: PG-13
Runtime: 97
Corporate billionaire Edward Cole and working class mechanic Carter Chambers are worlds apart. At a crossroads in their lives, they share a hospital room and discover they have two things in common: a desire to spend the time they have left doing everything they ever wanted to do and an unrealized need to come to terms with who they are. Together they embark on the road trip of a lifetime, becoming friends along the way and learning to live life to the fullest, with insight and humor.
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ADR Editor:
Tim Boggs
ADR Supervisor:
Lon Bender
Additional Writing:
Adam Scheinman
Art Department Coordinator:
Ilana Gordon
Art Direction:
Jay Pelissier
Assistant Art Director:
Martha Johnston
Assistant Editor:
Danny Miller
Assistant Sound Editor:
John Cannon
Boom Operator:
Perry Dodgson
Cableman:
Michael Mesirow
Camera Operator:
Ian Fox
Casting:
Jane Jenkins
Janet Hirshenson
Casting Assistant:
Jamie Castro
Chief Lighting Technician:
David R. Christensen
Co-Producer:
Frank Capra III
Color Timer:
Mike Mertens
Construction Coordinator:
John R. Elliott
Costume Design:
Molly Maginnis
Costume Supervisor:
Sandy Kenyon
Dialogue Editor:
Laura Harris Atkinson
John C. Stuver
Director:
Rob Reiner
Director of Photography:
John Schwartzman
Editor:
Robert Leighton
Executive In Charge Of Production:
Mark Scoon
Executive Producer:
Justin Zackham
Jeffrey Stott
Travis Knox
First Assistant Director:
Frank Capra III
First Assistant Sound Editor:
Gayle Wesley
Hair Department Head:
Medusah
Hairstylist:
Joy Zapata
Deena Adair
Key Costumer:
Sally Smith-McCardle
Key Grip:
Les T. Tomita
Key Hair Stylist:
Marie Larkin
Key Makeup Artist:
Tonyia Verna
Location Manager:
Robbie Goldstein
Makeup Artist:
Michael Germain
Nancy Hancock
Makeup Department Head:
Valli O'Reilly
Music Editor:
Scott Stambler
Negative Cutter:
Mo Henry
Original Music Composer:
Marc Shaiman
Post Production Supervisor:
Susan E. Novick
Producer:
Alan Greisman
Neil Meron
Rob Reiner
Craig Zadan
Production Accountant:
Eric Layne
Production Design:
Bill Brzeski
Production Sound Mixer:
Robert Eber
Property Master:
Eugene McCarthy
Prosthetic Makeup Artist:
Matthew W. Mungle
Rigging Gaffer:
Frank Dorowsky
Script Supervisor:
Kerry Lyn McKissick
Second Assistant Director:
Brian Relyea
Set Decoration:
Robert Greenfield
Set Designer:
James E. Tocci
Barbara Mesney
Sound Editor:
Ann Scibelli
Bryan Bowen
Sound Re-Recording Mixer:
Tony Lamberti
Marc Fishman
Special Effects Coordinator:
Donald Frazee
Still Photographer:
Sidney Ray Baldwin
Storyboard:
Mark Moretti
Stunt Coordinator:
Alex Daniels
Stunts:
Steve Kelso
Jophery C. Brown
Transportation Captain:
Jeff Verdick
Transportation Co-Captain:
Jim Petti
Transportation Coordinator:
Jonathan A. Rosenfeld
Unit Production Manager:
David Siegel
Jeffrey Stott
Unit Publicist:
Rob Harris
VFX Editor:
Corinne Villa
Visual Effects Producer:
Lori J. Nelson
Writer:
Justin Zackham
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.