A work in constant progress (and occasional regress).
Featuring:
Mark Schneider, Katie Saylor, Morgan Woodward
Written by:
John Arnoldy
Robert Easter
Neva Friedenn
Directed by:
Lamar Card
Release Date:
March 1, 1977
Original Title:
Supervan
Genres:
Action | Comedy
Production Companies:
Empire Productions
New World International
Production Countries:
United States of America
Ratings / Certifications:
US: PG
Runtime: 90
A man named Clint enters a solar-powered van called Vandora into a competition called Freakout.
Mark Schneider plays a restless young man who quits his job at his dad's garage because he's "got a chance to do something." Specifically, he's got a chance to drive his van "The Sea Witch"-emblazoned with his CB handle, Morgan The Pirate-to The Invitational Freak-Out, a "van-in" held in Kansas City, where custom van owners gather to smoke weed, screw in the woods, and show off their machines for cash and prizes. Along the way, though, Schneider meets Katie Saylor, a rich runaway who's been detained at a junkyard by "a couple of friendly bikers on their way to a rape." Schneider saves Saylor, but in the process, The Sea Witch gets crushed by a compactor. So Schneider goes to see a friend who's a rebel auto designer, and the friend offers Schneider and Saylor Vandora, a solar-powered van that was rejected by the fat cats at Mid-American Motors.
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Assistant Director:
John Arnoldy
Associate Producer:
Sandy Cohn
Director:
Lamar Card
Director of Photography:
Irv Goodnoff
Editor:
Bill Butler
Executive Producer:
Nolan Russell Bradford
First Assistant Director:
Chuck Russell
Makeup Artist:
Nancy Frechtling
Music:
Mark Mercury
Bob Stone
Producer:
Sal A. Capra
Lee S. Jones Jr.
Production Manager:
Michael Bennett
Second Assistant Camera:
Bill Boyne
Special Effects:
Harry Woolman
Still Photographer:
Paul Hodara
Bill Kirk
Stunt Coordinator:
Norman Deming
Writer:
Robert Easter
Neva Friedenn
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.