A work in constant progress (and occasional regress).
Release Date:
July 24, 2020
Original Title:
Les Épisodes - Printemps 2018
Genres:
Drama
Production Companies:
Société Acéphale
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 30
Marta, Luc and Charlotte, aged twenty-five to thirty-years old, have a lot to share in the city of Paris: friendships, demands and refusals. Ideas grow in the occupied university departments. THE EPISODES - SPRING 2018 is so singular in its approach to existence and so sovereign in the way it establishes its own language that all attempts at defining, assigning a genre or a previously identified aspect of film, are doomed to failure. All we have to do is open up the dictionary: after all, that was Ponge’s reaction when confronting the unknown. « Episode. A work’s division including several parts, each forming a self-sufficient whole. A more or less striking moment in a lifetime. A set of actions, of events forming a whole and making up a striking moment in history or time. »
Cinematography:
Miguel Armas
Director:
Mathilde Girard
Editor:
Valérie Massadian
Mario Valero
Sound:
Luc Chessel
Michel Bertrou
Writer:
Marta Camell Galí
Luc Chessel
Charlotte Bayer-Broc
Mathilde Girard
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.