A work in constant progress (and occasional regress).
Release Date:
December 3, 2021
Original Title:
Encounter
Alternate Titles:
Invasion
Yakınlaşma
เผชิญหน้า ท้ามฤตยู
인카운터
Genres:
Drama | Mystery | Science Fiction | Thriller
Production Companies:
Amazon Studios
Automatik Entertainment
Big Indie Pictures
Film4 Productions
RAW
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
BR: 14 CA: 18A DE: 16 ES: 16 FR: 16 GB: 15 GR: 16 NL: 16 PL: 16 RO: 18 SG: M18 US: R
Runtime: 108
A decorated Marine goes on a rescue mission to save his two young sons from an unhuman threat. As their journey takes them in increasingly dangerous directions, the boys will need to leave their childhoods behind.
Boom Operator:
Timothy P. Salmon
Casting:
Avy Kaufman
Costume Design:
Emma Potter
Costume Supervisor:
Valerie Laven-Cooper
Dialogue Editor:
Andrew Stirk
Digital Compositor:
Alex Hulsey
Director:
Michael Pearce
Director of Photography:
Benjamin Kračun
Editor:
Maya Maffioli
Executive Producer:
Fred Berger
Jenny Hinkey
Kate Churchill
Daniel Battsek
Ollie Madden
Julia Oh
Foley Artist:
Ian Waggott
Foley Mixer:
Ben Cross
Hair Department Head:
Kathrine Gordon
Makeup Department Head:
Nana Fischer
Original Music Composer:
Jed Kurzel
Producer:
Derrin Schlesinger
Piers Vellacott
Dimitri Doganis
Production Design:
Tim Grimes
Set Decoration:
Lucila Caro
Set Decoration Buyer:
Ashley Prikryl
Sound Designer:
Paul Davies
Sound Effects Editor:
Bernard O'Reilly
Sound Mixer:
Julian Howarth
Sound Re-Recording Mixer:
Andrew Stirk
Special Effects Supervisor:
Jeremy Hays
Special Effects Technician:
Charlie Bruchez
Stunt Coordinator:
Al Goto
Supervising Sound Editor:
Andrew Stirk
VFX Artist:
Grant White
Visual Effects Supervisor:
Martin Hall
Writer:
Joe Barton
Michael Pearce
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.