A work in constant progress (and occasional regress).
Release Date:
December 10, 2020
Original Title:
The Furnace
Alternate Titles:
Piec
حارس الذهب
Genres:
History | Western
Production Companies:
Meaning Maker
Southern Light Films
The Koop
Production Countries:
Australia
Ratings / Certifications:
AU: MA 15+
Runtime: 116
To escape the outback, a young Afghan cameleer falls in with a mysterious bushman on the run with stolen Crown gold.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Editor:
Regg Skwarko
Art Direction:
Joey Charlton
Associate Producer:
Gary Bonney
Boom Operator:
Chris O'Shea
Camera Operator:
Rick Rifici
Co-Producer:
Georgia White
Costume Design:
Lisa Galea
Director:
Roderick MacKay
Director of Photography:
Bonnie Elliott
Michael McDermot
Editor:
Merlin Eden
Executive Producer:
Brendon Grylls
Ian Hale
Ari Harrison
Jeff Harrison
Michelle Krumm
Roderick MacKay
Justin McArdle
Bryce Menzies
Kelvin Munro
Grant Sputore
David Wenham
Ying Ye
First Assistant Director:
John Fairhead
Focus Puller:
Arthur Bienkowski
Key Grip:
Gregory Stirling
Line Producer:
Kate Breen
Original Music Composer:
Mark Bradshaw
Producer:
Tenille Kennedy
Timothy White
Production Design:
Clayton Jauncey
Screenplay:
Roderick MacKay
Script Consultant:
Omar Abdo
Script Editor:
Shaun Grant
Stephen Lloyd
Lynne Vincent McCarthy
Script Supervisor:
Benedict Paxton-Crick
Second Assistant Director:
Ian 'Scooter' Welbourn
Set Decoration:
James Crombie
Sound Effects Editor:
Duncan Campbell
Sound Re-Recording Mixer:
Duncan Campbell
Nick Gallagher
Sound Recordist:
Gavin Repton
Supervising Sound Editor:
David Raines
Third Assistant Director:
Chanel Bowen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.