A work in constant progress (and occasional regress).
Release Date:
October 29, 2021
Original Title:
Mosquito State
Alternate Titles:
Komar
蚁虫状态
Genres:
Drama | Horror | Thriller
Production Companies:
Bottleship VFX
Lightcraft
Royal Road Entertainment
Wytwórnia Filmów Dokumentalnych i Fabularnych
Production Countries:
Poland | United States of America
Ratings / Certifications:
CH: 18 PL: 12 RU: 18+
Runtime: 100
Isolated in his austere penthouse overlooking Central Park, obsessive Wall Street data analyst Richard Boca sees ominous patterns. His computer models are behaving erratically, as are the swarms of mosquitos breeding in his apartment, an infestation that attends his psychological meltdown.
Accountant:
Małgorzata Powałka
Zofia Kochan
Additional Casting:
Maria Zmudzinska
Assistant Makeup Artist:
Błażej Pintara
Stanislaw Dolinski
Assistant Production Design:
Pawel Nikiel
Katarzyna Jędrzejczyk
Assistant Production Manager:
Katarzyna Karaś
Anna Sierakowska-Nikiel
Assistant Property Master:
Szymon Szczęsny
Robert Plusser
Mateusz Samborski
Łukasz Dębski
Boom Operator:
Konrad Serowiecki
Piotr Wilk
Bernard Sierakowski
Marcin Kucharski
Camera Operator:
Mikołaj Syguła
Casting:
Mary Vernieu
Raylin Sabo
Catering:
Roman Strumiński
Compositing Artist:
Wojciech Kukiełka
Adam Rosłanowski
Maciej Rynkiewicz
Łukasz Przybytek
Witold Pluzanski
Łukasz Remiś
Patryk Bychoski
Piotr Bandomir
Paweł Orzechowski
Łukasz Omasta
Compositing Lead:
Dmytro Kolisnyk
Conductor:
Tomasz Radziwonowicz
Costume Design:
Katarzyna Lewińska
Director:
Filip Jan Rymsza
Director of Photography:
Eric Koretz
Editor:
Andrew Hafitz
Bob Murawski
Wojciech Janas
Executive Co-Producer:
Daniel Markowicz
Lighting Artist:
Michał Witek
Makeup Artist:
Alina Janerka
Karolina Kordas
Makeup Effects:
Mirosław Bartosik
Master Lighting Artist:
Mikołaj Car
Mateusz Kuźniak
Matte Painter:
Maciej Biniek
Music Consultant:
Małgorzata Przedpełska-Bieniek
Music Editor:
Katarzyna Figat
Opening/Ending Animation:
Tomek Ducki
Original Music Composer:
Cezary Skubiszewski
Pipeline Technical Director:
Jarosław Zawiśliński
Maksim Kuzubov
Witold Duraj
Post Production Coordinator:
Piotr Kolodziejczyk
Post Production Supervisor:
Filip Jan Rymsza
Producer:
Maciej Stanecki
Filip Jan Rymsza
Włodzimierz Niderhaus
Alyssa Swanzey
Production Coordinator:
Katarzyna Drapała
Piotr Sobkowicz
Weronika Pastusiak
Production Design:
Marek Warszewski
Production Manager:
Andrzej Besztak
Production Supervisor:
Agnieszka Bedkowska
Props:
Mariusz Kowalski
Script:
Renata Gałuszka
Sound:
Zofia Moruś
Mateusz Adamczyk
Sebastian Witkowski
Sound Editor:
Sebastian Witkowski
Przemysław Jóźwik
Special Effects:
Artur Bartos
Steadicam Operator:
Maciej Tomków
Still Photographer:
Marzena Stokłosa
Stunt Coordinator:
Tomasz Krzemieniecki
Stunts:
Damian Dąmbski
Title Designer:
Dan Perri
Translator:
Adam Repucha
Zuzanna Clarke
VFX Artist:
Adam Nowak
Piotr Pawełczyk
Mieszko Sałamacha
Krzysztof Dublański
Paweł Łaźniak
Maciej Markiewicz
Wojciech Rachwał
Karol Trojanowski
Łukasz Piątkowski
Paweł Czarzasty
VFX Supervisor:
Tomasz Ginelli
Wojciech Pachulski
Arkadiusz Arciszewski
Daniel Markowicz
Maks Naporowski
Visual Effects:
Magdalena Zimecka
Jacek Kulczycki
Visual Effects Coordinator:
Joanna Zielińska
Monika Raj
Kamila Zwierzyńska
Ewa Szulgacz
Justyna Juszczyk
Marta Bródka
Visual Effects Producer:
Robert Stasz
Filip Jan Rymsza
Paweł Tymoteusz Sowa
Radosława Bardes
Visual Effects Production Assistant:
Aleksander Czermiński
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.