A work in constant progress (and occasional regress).
Release Date:
March 1, 1990
Original Title:
The Local Stigmatic
Alternate Titles:
A helyi stigma
The Local Stigmatic
Местният стигматик
Местный стигматик
Genres:
Drama
Production Companies:
A.J.D. Productions
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 56
Two symbiotic sociopaths play obscurely deviant mind games with each other while engaging in perversely brutal acts of violence against victims apparently chosen at random
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Assistant Art Director:
Michael Rizzo
Diane Freas
Assistant Camera:
Mitch Dubin
James A. Lebovitz
Assistant Editor:
Joan Caplin
Kevin J. Foxe
Jane Martin
Assistant Sound Editor:
Marissa Littlefield
Barbara Minor
Celeste Adams
Associate Producer:
Michael Hadge
Amy J. Kaufman
Carolyn Pickman
Boom Operator:
David Platt
Bill Fibben
Steve Day
Co-Editor:
Norman Hollyn
Dialogue Editor:
Philip Stockton
Director:
Al Pacino
David Wheeler
Director of Photography:
Edward Lachman
Editor:
Elizabeth Kling
Jerry Bloedow
Electrician:
Kyle Kibbe
Billy McCartney
Richard Anderson
Andrea Sachs
Foley Artist:
Marko Costanzo
Gaffer:
Craig Nelson
Raffaello Ferucci
Smith Doug
Grip:
Dan Karlok
Tony Jackson
Darryl Ferrucci
William Tracosas
Dan Mahoney
Hairstylist:
Aaron F. Quarles
Key Grip:
Tony Whitman
Arthur Blum
Tom Grunke
Line Producer:
Timothy Marx
Location Manager:
Elaine Smith
Makeup Artist:
Aaron F. Quarles
Music Consultant:
Brian Eddolls
Music Editor:
Suzana Peric
Music Programmer:
Brian Eddolls
Original Music Composer:
Howard Shore
Producer:
Al Pacino
James Bulleit
Production Assistant:
Daniel Lupi
Dermit Faulds
Mark Rhodes
Matthew Roland
Production Design:
Franne Lee
Second Unit Director of Photography:
Robert Leacock
Sound Effects:
Skip Lievsay
Sound Re-Recording Mixer:
Tom Fleischman
Sound Recordist:
Bruce Litecky
Lawrence Loewinger
David Terry
Thanks:
Fred Kimball
Eduardo Vera
Annie Prager
Ken Sylk
Bill Anderson
Robin Craig
Norman Hollyn
Curt May
Stephen Gottlieb
Karl Lundeberg
Unit Manager:
David Lang
Writer:
Heathcote Williams
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.