A work in constant progress (and occasional regress).
Release Date:
July 28, 2021
Original Title:
방법: 재차의
Alternate Titles:
La maldición: Despertar de los muertos
The Cursed: Dead Man's Prey
The Cursed: Dead Man’s Prey
呪呪呪 死者をあやつるもの
咒术尸战
咒術屍戰
방법 재차의
Genres:
Horror | Mystery | Thriller
Production Companies:
CJ ENM
CJ Entertainment
Climax Studios
KEYEAST
Studio Dragon
Production Countries:
South Korea
Ratings / Certifications:
BR: 14 FR: 12 HK: IIB KR: 15
Runtime: 110
Following a brutal murder case, the police are baffled to find out that the assailant, whose body was found on the scene with the victim, had already been dead for three months. Meanwhile, journalist Jin-hee sets up a live interview with an anonymous caller claiming he is the true killer behind the mysterious murder. When the man announces three more murders will occur in the hands of the undead, Jin-hee must face the sinister forces beyond understanding.
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Adaptation:
Kim Yong-wan
Art Direction:
Choi Ji-hye
CGI Director:
Lee Ju-won
Co-Executive Producer:
Park Sung-hye
Colorist:
Lee Hye-min
Choi Eun-seok
Director:
Kim Yong-wan
Director of Photography:
Lee Ji-hoon
Editor:
Lee Yeon-jeong
Executive Producer:
Byun Seung-min
Foley Editor:
Hong Tack-hyun
Lighting Director:
Moon Il-ho
Martial Arts Choreographer:
Choi Bong-rock
Original Music Composer:
Kim Dong-wook
Producer:
Lim Min-sub
Production Design:
Jeong Min-kyung
Production Sound Mixer:
Kang Ju-suk
Props:
Yoo Jeong-eun
Set Decoration:
Nam Seong-ju
Sound Editor:
Yang Hye-jin
Sound Supervisor:
Choi Tae-young
Special Effects Makeup Artist:
Kwak Tae-yong
Special Effects Supervisor:
Hong Jang-pyo
Jeong Jong-bae
Storyboard:
Park Song-i
Stunts:
Noh Nam-seok
Song Min-seok
Lim Seung-mook
Cha Sang-do
VFX Artist:
Kim Hyeong-rok
Writer:
Yeon Sang-ho
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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