A work in constant progress (and occasional regress).
Release Date:
May 19, 2019
Original Title:
1940, main basse sur le cinéma français
Genres:
Documentary | History | TV Movie
Production Companies:
France Télévisions
Histoire TV
Talweg Production
Production Countries:
France
Ratings / Certifications:
FR: U
Runtime: 55
Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.
Art Designer:
Romain Egea
Assistant Editor:
Yoann Crez
Book:
Christine Leteux
Color Grading:
Jean-Marie Frémont
Director:
Pierre-Henri Gibert
Editor:
Pierre-Henri Gibert
Florence Bénichou
Graphic Designer:
Yoann Crez
Original Music Composer:
Arnaud Guillemant
Producer:
Vincent Gazaigne
Production Manager:
Julie Meigniez
Sound Editor:
Baptiste Guichot
Sound Mixer:
Baptiste Guichot
Writer:
Pierre-Henri Gibert
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.