A work in constant progress (and occasional regress).
Release Date:
December 19, 1995
Original Title:
Magic Island
Genres:
Adventure | Family
Production Companies:
Moonbeam Entertainment
Production Countries:
United States of America
Ratings / Certifications:
US: PG
Runtime: 88
Jack Carlisle is a disillusioned 13-year old boy. His mother is always away at work since his father left. He decides to run away, as his mom won't miss him. As he is ready to leave, his nanny, convinces him to read this 'magic book'. The book is about a pirate adventure on Magic Island. As Jack reads the book, he is sucked into the world and goes on numerous adventures with Prince Morgan, while fleeing the evil Blackbeard the Pirate. He is even saved by Lily, a beautiful mermaid, whom he falls in love with.
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Animation:
Joel Fletcher
Sally Chow
Coffee Polk
Assistant Camera:
Taylor Dorris
Assistant Costume Designer:
Ricardo Guillén
Assistant Dialogue Editor:
Sean Fahimian
Assistant Editor:
Scott Inbody
Kristine McPherson
Gregory Sanders
Associate Producer:
Abraham Cherem
Josi W. Konski
Best Boy Electric:
Ignacio Ambriz
Best Boy Grip:
José Isabel Peña
Boom Operator:
Ernesto Muñoz
Cableman:
José Luis Rincón
Casting:
Perry Bullington
Robert MacDonald
Casting Coordinator:
Helen O'Brien
Cinematography:
Joseph Grossberg
Clapper Loader:
Noé Muñoz
Co-Producer:
Michael J. Mahoney
Lisa Levy Stromer
Color Timer:
Robert Brown
Construction Coordinator:
James Michael Drury Jr.
Coordinating Producer:
Wendy Kutzner
Costume Design:
Angela Billows
Creature Design:
Anthony Allen Barlow
Digital Compositor:
Andy Gauvreau
Director:
Sam Irvin
Director of Photography:
James Lawrence Spencer
Editor:
Margeret-Anne Smith
Executive In Charge Of Production:
John Schouweiler
Executive Producer:
Charles Band
First Assistant Camera:
James 'J.C.' Coker
First Assistant Director:
Lynn K. D'Angona
Gaffer:
Fernanda Moreno
Grip:
Felipe Morales
Key Hair Stylist:
Elizabeth Fuentes
Leadman:
Isabel Fortuna
Lighting Artist:
Edgar Ambriz Espinoza
Edmundo Hernandez
Location Manager:
Pati Caño
Margo Chipman
Makeup Artist:
Javier De La Rosa
Music Supervisor:
Pat Siciliano
Negative Cutter:
Donna Chapman
Original Music Composer:
Richard Band
Post Production Supervisor:
Maggie Cone
Producer:
Debra Dion
Albert Band
Michael Deak
Production Design:
John Zachary
Production Manager:
Hugo Green
Production Secretary:
Luz María Jasso
Property Master:
Celso Peña
Screenplay:
Brent V. Friedman
Neil Ruttenberg
Script Supervisor:
Dawn C. Dreiling
Second Assistant Camera:
Vicente Bolaños
Joaquin Cervera
Second Assistant Director:
Pavel Cantú
Second Second Assistant Director:
Felice Schachter
Second Unit Director:
Joseph Grossberg
Set Decoration:
Jane Cavedon
Set Dresser:
Frank Kirkland Santoyo
Sound Designer:
Mark Allen
Sound Mixer:
D.J. Ritchie
Special Effects:
Mario Castillo
Sally Chow
Yves De Bono
John Deall
Leslie King
Todd Minobe
Coffee Polk
Joseph Grossberg
David W. Mosher
Special Effects Assistant:
Cat Sides
Special Effects Supervisor:
John Deall
Special Effects Technician:
Bryan Sides
Steadicam Operator:
Gerry O'Malley
Still Photographer:
Daniel Daza
Stunt Coordinator:
Oscar Dillon
Stunt Double:
Leonardo Godinez
Wynter Kelfe
Stunts:
Monty L. Simons
Supervising Producer:
Andrew M. Stewart
Supervising Sound Editor:
Patrick M. Griffith
James P. Lay
Unit Production Manager:
Leigh Shanta
Visual Effects:
Dave Barton
Taylor Dorris
Joel Fletcher
Howie Muzika
Brett B. White
Visual Effects Coordinator:
Wendy Grossberg
Visual Effects Supervisor:
Joseph Grossberg
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.