A work in constant progress (and occasional regress).
Release Date:
November 10, 2019
Original Title:
The Grand Unified Theory of Howard Bloom
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 66
Howard Bloom spent much of the 1970s and 80s as the publicist for iconic musicians like Michael Jackson, Prince, Joan Jett, Run-DMC, and Aerosmith. When a rare disease left him housebound for 15 years, Bloom reinvented himself as an author, publishing several books on evolutionary psychology and humanity’s role in the cosmos. Now in his 70s, the eccentric philosopher readies an unfathomably long masterwork that will unify all of his unorthodox theories, and makes plans for his legacy.
Director:
Charlie Hoxie
Director of Photography:
Chris Raddatz
Ilya Shnitser
Editor:
Charlie Hoxie
Executive Producer:
Aziz Isham
Producer:
Sachar Mathias
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.