A work in constant progress (and occasional regress).
Release Date:
November 1, 2019
Original Title:
INFINITY minus Infinity
Genres:
Documentary | Horror | Science Fiction
Production Companies:
The Otolith Group
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 52
INFINITY minus Infinity draws on several inspirations: the modernist verse of the Jamaican poet Una Marson, the alluvial invocations of the Martinican philosopher and poet Édouard Glissant, the black feminist poetics of the Brazilian philosopher Denise Ferreira da Silva, and the racial formation of geology theorised by British geographer Kathryn Yusoff amongst others in order to envision a black feminist cosmos animated by the principles of mathematical nihilism.
Camera Production Assistant:
Luke Clarke
Mitchell Collins
Choreographer:
Ana Pi
Colorist:
Taos Djouhri
Director of Photography:
Kate McDonough
Editor:
Mariko Montpetit
Gaffer:
Sebastian Kudanowski
Makeup & Hair:
Emmal Baker
Producer:
Hannah Liley
Researcher:
Vivian Latinwo-Olajide
Kodwo Eshun
Angela Chan
Esi Eshun
Anjalika Sagar
Sound Designer:
Tyler Friedman
Sound Recordist:
Esi Eshun
Mark Andrews
Storyboard Artist:
Emily Tablet
VFX Artist:
Caroline de Keukelaere
Mohammed Mousavi
VFX Supervisor:
Taos Djouhri
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.