A work in constant progress (and occasional regress).
Release Date:
June 15, 2012
Original Title:
Glastopia
Alternate Titles:
Glastonbury After Hours
Genres:
Documentary | Music
Production Companies:
BBC
Nitrate Film
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
In this personal film, Julien Temple, who directed the definitive documentary history of the Glastonbury Festival, explores the alternative side of the festival away from the spotlight of the main stages with their global pop superstars. In fields known as Shangri La, Arcadia, the Unfair Ground, Strummerville, Block 9 and the Common, every year an unlikely attempt at utopia takes shape. Here, the festival reconnects with its radical, countercultural origins combining underground music, performance art and some of the funniest and most provocative sights of the festival with a dark, urgent 21st century spontaneity. Filmed at the 2011 festival, this 75 minute documentary features Michael Eavis, the creators of, and visitors to the true heart of the Glastonbury, and, fuelled by the music of tomorrow, explores the hopes, dreams and personal utopias of those who, for one weekend in June, come together as the tribes of 21st Century Albion.
Additional Editing:
Daniel Goddard
Associate Producer:
George Hencken
Camera Operator:
Greg Culhane
Robert McGowan
Marco Granese
Andrew Brown
Hugo Levien
Roger Pomphrey
Tom Mansfield
David Langan
Andy Hague
Mandy Briggs
Kary Stewart
Julien Temple
Camera Supervisor:
Michael White
John Livesley
Camera Technician:
Alex Gilbert
Pete Crias
Jack Taylor
Dialogue Editor:
James Gregory
James Cullen
Scott Jones
Director:
Julien Temple
Director of Photography:
Steve Organ
Editor:
Jonny Halifax
Executive Producer:
Adam Barker
Robert Richards
Graphic Designer:
Martin Kingdom
Jonny Halifax
Post Production Coordinator:
Tom Cushing
Producer:
Julien Temple
Stephen Malit
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.