A work in constant progress (and occasional regress).
Release Date:
April 11, 2010
Original Title:
Catherine Deneuve, belle et bien là
Alternate Titles:
A gyönyörű Catherine Deneuve még mindig itt
Catherine Deneuve - Schön und geheimnisvoll
Catherine Deneuve, A Sempre Bela
Catherine Deneuve. Piękność dnia i nocy
Genres:
Documentary
Production Companies:
ARTE
Cinétévé
France Télévisions
INA
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 86
Catherine Deneuve couldn’t care less about being a celebrity, but fame made her an icon long ago and she occupies a special place in our imagination. The star is not one to let others get too close, but when she gives you her confidence, she keeps her word. If Deneuve’s career covers a half-century of cinema, it also bears witness to the force of a generation that experienced the deepest transformation of mores. This portrait reflects her entirely. The story of a mystery and an adventure.
Assistant Camera:
Jean Christophe Beauvallet
Assistant Unit Manager:
Bruno Deschátrette
Color Grading:
Rémi Berge
Digital Conform Editor:
Jérôme Million
Digital Producer:
Vincent Legrain
Director:
Anne Andreu
Director of Photography:
Julien Hirsch
Editor:
Yvan Gaillard
Hairstylist:
Jean-Claude Gallon
Key Grip:
Blaise Bauquis
Edwin Broyer
Makeup Artist:
Mina Matsumura
Nathalie Boulangier
Sandrine David
Post-Production Manager:
Rita Lourdemarianadin
Daniel Ricard
Producer:
Fabienne Servan Schreiber
Christiane Graziani
Laurence Miller
Producer's Assistant:
Johanna Le Lorrec
Production Manager:
Florent Péridont
Jeanne Lebranchu-Mellin
Researcher:
Véronique Lambert de Guise
Sound:
Érik Ménard
Ian Hofer
Pierre Bertrand
Sound Mixer:
Francisco Camino
Sound Recordist:
Laurent Thomas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.