A work in constant progress (and occasional regress).
Release Date:
June 26, 2020
Original Title:
The Curse of Hobbes House
Genres:
Horror | Thriller
Production Companies:
Aquaset Filmworks
Clemency Films
Dream Reel Entertainment
Hanover Pictures
J-Blockbuster
Schweminfilm
Production Countries:
United Kingdom
Ratings / Certifications:
CA: R FR: U GB: 15
Runtime: 83
After the death of her Grandmother, Jane Dormant travels to the family’s remote, ancestral home hoping to receive a large inheritance. When Jane’s estranged, half-sister Jennifer arrives at Hobbes House to claim her part of the estate, the sisters’ simmering hate breaks out completely. But then a violent, unexpected storm cuts the estate off from outside help and a wave of bloodthirsty zombies lays siege. Now the sisters have to learn how to fight back together.
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Boom Operator:
Richard Simms
Camera Operator:
Matt Joiner
Paul Dudbridge
Costume Assistant:
Gracie Martin
Costume Design:
Paula Hey
Digital Imaging Technician:
Daniel Geweke
Director:
Juliane Block
Director of Photography:
Marcus Schwemin
Drone Operator:
Samuel Norman
Editor:
Ann Foo
First Assistant Camera:
James Melsome
Annabel Lee
First Assistant Director:
Simon Haveland
Foley Artist:
Franziska Treutler
Foley Mixer:
Albrecht Ihlenburg
Gaffer:
Colin Holloway
Damien Gray
Music:
Ilia Eshkenazy Jossifov
Online Editor:
Natalia Jaeger
Production Design:
Nandie Narishkin
Script Editor:
Clifford De Spenser
Second Assistant Camera:
Rosalind Beeson
Sound Editor:
Alex Hudd
Standby Art Director:
Simona Cucinella
Still Photographer:
Emma Hughes
Title Designer:
Sven-Norman Bommes-Böhmig
Visual Effects Supervisor:
Marco Del Bianco
Writer:
Wolf-Peter Arand
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.