A work in constant progress (and occasional regress).
Original Title:
Dino's Bar 'n' Kill
Genres:
Comedy | Crime | Thriller
Production Companies:
Purple Bamboo Productions
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 14
Eric and Devon are professional freelancers, considered to be the best in the game. However, despite numerous successful projects together, they would much rather have different partners. Eric's natural charm and charisma is constantly clashing with Devon's brutish, intimidating presence. Even as a 'gun for hire', working with a co-worker you hate is enough to ruin anyone's day. What was supposed to be a fairly simple job has gone awry and the pair are forced to clean up their mess. An emergency getaway is incoming leaving Eric and Devon faced with something they consider far worse than committing a mass murder - dining together.
Assistant Sound Editor:
Kyle Wallace
Associate Producer:
Samuel John Stewart
Joshua Blewitt
Alex Powe
Boom Operator:
James Muat-Dodd
Camera Operator:
Joshua Blewitt
Casting:
Kyle Wallace
Aron John Fellowes
Casting Associate:
Samuel John Stewart
Nathanial Eker
Colorist:
Alex Powe
Dialogue Editor:
James Muat-Dodd
Director:
Kyle Wallace
Aron John Fellowes
Director of Photography:
Joshua Blewitt
Editor:
Alex Powe
First Assistant Camera:
Joshua Davies
Gaffer:
Alex Stevenson
Lighting Technician:
Will Simpson
Makeup Artist:
Izzy Donson
Music:
Samuel John Stewart
Producer:
Kyle Wallace
Aron John Fellowes
Production Assistant:
Cameron Martlew
Joe Kelly
Sound Designer:
Daniel Piggott
Peter Conroy
Sound Editor:
Daniel Piggott
Peter Conroy
Sound Mixer:
Daniel Piggott
Peter Conroy
Special Effects Makeup Artist:
Izzy Donson
Still Photographer:
Cameron Martlew
Story:
Aron John Fellowes
Title Designer:
Kyle Wallace
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.