A work in constant progress (and occasional regress).
Release Date:
February 26, 1982
Original Title:
The Haunting of Cassie Palmer
Genres:
Family | Science Fiction | Thriller
Production Companies:
TVS
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 150
Thirteen-year-old Cassie Palmer, the seventh child of a seventh child, has inherited the gift of second sight. Unsure whether or not she even believes in ghosts, Cassie heads to the cemetery to test her ability to communicate with the Other World. She starts with the departed spirit of a harmless child: CHARLOTTE EMMA ELIZABETH WEBB, BORN 1840 DIED 1847. But when a mysterious man appears, Cassie finds a new companion. Is he a gravedigger? A bum? Or did Cassie's inexperience cause her to bring back Charlotte's frightening neighbor: DEVERILL 1720 - 1762?
Book:
Vivien Alcock
Camera Operator:
Ken Brinsley
George Pellett
Conductor:
Kenyon Emrys-Roberts
Director:
Dorothea Brooking
Editor:
John Price
Executive Producer:
Anna Home
Graphic Designer:
John Ryder
Lighting Camera:
Michael D. Smith
Makeup Artist:
Lin Lawrence
Manager of Operations:
Garry Mainstone
Jane Vass
Original Music Composer:
Kenyon Emrys-Roberts
Production Accountant:
Graham Curtis
Production Assistant:
Lesley Cross
Pam Sanderson
Production Designer:
John Newton Clarke
Production Manager:
Mike Purcell
Screenplay:
Alfred Shaughnessy
Sound Editor:
Peter Huxford
Sound Mixer:
Tony Cunningham
Sound Recordist:
Jim Biddle
Stunt Coordinator:
Paul Weston
Sue Crossland
Unit Manager:
Pat Richards
Wardrobe Supervisor:
Serena Brown
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.