A work in constant progress (and occasional regress).
Release Date:
May 28, 2020
Original Title:
각자의 입장
Genres:
Drama
Production Countries:
South Korea
Ratings / Certifications:
N/A
Runtime: 37
Office worker Ranhee is a cinephile who once dreamt of being an independent film director. Several years ago, she had to put an end to her gloriously drafted independent feature film and went off the grid. She heads to a bar to meet her friend Seonjun who used to make films together. There she bumps into Xingxing, the starring actress of her flop. Xingxing still features in independent films and builds her career. She is with director Ki, the producer of her upcoming film. Xingxing suggests that the three sit together. Director Ki is insensitive and crude as if those features represent a true artist. When he begins to talk about Ranhee’s film, she can’t help but become very sensitive.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.