A work in constant progress (and occasional regress).
Featuring:
Rüdiger Bahr, Monika Zinnenberg, Gisela Hahn
Written by:
Leopold Lahola
Jan Weiss
Directed by:
Leopold Lahola
Release Date:
May 24, 1968
Original Title:
Die süße Zeit mit Kalimagdora
Alternate Titles:
Die süsse Zeit mit Kalimagdora
Spáč vo zverokruhu
Genres:
Comedy | Drama | Fantasy
Production Companies:
Gala International Film
Štúdio hraných filmov Bratislava
Production Countries:
Czechoslovakia | Germany
Ratings / Certifications:
N/A
Runtime: 101
A man changes his behavior according to the term of the year.
I just realized that the life of the main character could be compared to the Hungarian year 1956, but not to Czechoslovakian 1968, because the movie was done before. In the beginning of the movie the man on the bench holds in his hands a Hungarian newsletter "Magyar nemzet". This is just a speculation. Don't forget, this movie was released in Hungary too. Filling follows: Overall this movie is about a life of one man. He changes his behavior according to the term of the year (winter,summer,spring autumn). In winter he sleeps with Kalimagdora always. In spring he is like a child and full of happiness. In summer he makes love and act like a reasonable 20-30 years old man. In autumn he is like an old man, he smokes and feels tired. This is happening to him every year.
Assistant Camera:
Alfréd Kern
Conductor:
Štěpán Koníček
Costume Designer:
Helga Pinnow-Stadelmann
Zuzana Bočeková
Costumer:
Štefan Koller
Director:
Leopold Lahola
Director of Photography:
Viktor Svoboda
Editor:
Hannes Nikel
Alfréd Benčič
First Assistant Director:
Jozef Šafarka
Makeup Artist:
Mária Grandtnerová
Novel:
Jan Weiss
Original Music Composer:
Hagen Galatis
Production Design:
Rudolf Kováč
Production Manager:
Gejza Maráky
Property Master:
Oskar Havlík
Screenplay:
Leopold Lahola
Script:
Klotilda Kováčová
Sound:
Václav Škvor
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.