A work in constant progress (and occasional regress).
Release Date:
December 1, 2019
Original Title:
A Good Home
Genres:
Drama
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
N/A
Runtime: 13
Jodie ran away from a loveless home two years ago, scraping by on her own in a dingy studio apartment. After she learns that her younger brother has been fighting people at school, Jodie must re-enter her past life to pull him from their mother's oppressive grasp before his situation gets even worse. After wading through and re-igniting past conflicts with a new perspective, and putting her brother in more danger than he was already - she must decide whether her brother is the one that needs saving after all.
Art Direction:
Lu Limanowski
Assistant Director:
Sam Stuart
Best Boy Electric:
Joshua Sturm
Best Boy Grip:
Alison Kusmik
Boom Operator:
Lauryn Harold
Camera Operator:
Elizabeth Vrklan
Josh Sheehan
Casting:
Kate Shaw
Cinematography:
Elizabeth Vrklan
Colorist:
Harvey Kingsley-Elton
Digital Imaging Technician:
Gabriele Esposito-Wilcock
Director:
Harvey Kingsley-Elton
Driver:
Anneliese Lee-Reid
Editor:
Julian Carlo Santos
Electrician:
Dayle Chen
Executive Producer:
Kam Johal
First Assistant Camera:
Samuel O. Schrag
Gaffer:
Eli Kravetz
Grip:
Alex Wohlin
Sam Smith
Key Makeup Artist:
Ashley Newquist
Line Producer:
Irina Wirjan
Music:
Emily Wong
Producer:
Peter Mancuso
Harvey Kingsley-Elton
Brandi Powell
Production Assistant:
Jaap Deinum
Alissa Yong
Production Design:
Alex Vitti
Script Supervisor:
Alexandria Hellman
Sound Designer:
Julia Skubisz
Sound Mixer:
Pat Zimmon
Iris Liu
Writer:
Harvey Kingsley-Elton
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.