A work in constant progress (and occasional regress).
Release Date:
June 6, 1987
Original Title:
Первая встреча, последняя встреча
Alternate Titles:
Pervaya vstrecha - poslednyaya vstrecha
Genres:
Comedy | Drama | Mystery
Production Companies:
Lenfilm
Production Countries:
Soviet Union
Ratings / Certifications:
N/A
Runtime: 92
The story concerns the events in Saint Petersburg on the eve of the First World War. Private detective Petya Chukhontsev, a law student who has not completed his studies, investigates the case of the murdered inventor Kuklin. He was murdered exactly as he predicted during a New Year's visit to Chukhontsev. While investigating the Kuklin case, Petya soon realizes that the central figure in this case is the German Scholz, the owner, who cheaply buys up the inventions of Russian craftsmen and hands them over to the spy Siegfried Gay, an advisor to the German embassy. . However, Petya will soon understand that it is better to mind his own business...
Administration:
G. Olkhina
A. Metelitsa
V. Yumakova
A. Kabakov
Assistant Camera:
Aleksandr Korneev
A. Bystryakov
Assistant Costume Designer:
G. Kupavykh
Assistant Director Trainee:
Galina Zaigraeva
A. Mayorova
Ye. Surkov
V. Mikheyev
Assistant Editor:
Raisa Lisova
Camera Operator:
Alik Nasyrov
L. Golubev
Choreographer:
Igor Belsky
Color Grading:
L. Kosareva
Costume Assistant:
L. Nikitina
Costume Design:
Larisa Konnikova
Director:
Vitali Melnikov
Director of Photography:
Yuri Veksler
Editor:
Zinaida Shejneman
First Assistant Director:
Igor Moskvitin
Lighting Artist:
E. Stepanov
Makeup & Hair:
Olga Smirnova
Makeup Artist:
N. Petrushenko
Lyudmila Balalaikina
Original Music Composer:
Timur Kogan
Producer:
Evgeniya Dikhnova
Production Design:
Isaak Kaplan
Props:
L. Pokazanova
Screenplay:
Vladimir Valutskiy
Script Editor:
Aleksandr Bessmertniy
Set Decoration:
Yevgeniy Styrikovich
T. Voronkova
Sound:
Asya Zvereva
Still Photographer:
Yuri Trunilov
Stunts:
Sergei Shulga
Aleksandr Pestov
A. Gryaznov
VFX Artist:
Viktor Okovityy
Visual Effects Camera:
Yuriy Dudov
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.