A work in constant progress (and occasional regress).
Release Date:
May 29, 2020
Original Title:
Snatchers
Ratings / Certifications:
N/A
Runtime: 85
A rough-hewn Mennonite witnesses a meteor rip apart the skies on his farm, leaving behind a smoking crater filled with glowing corn husks. A lesbian couple unknowingly distributes the corn to un-suspecting Brooklynites through their food truck. An FDA agent with FBI dreams tries to track down a mysterious pod he’s only seen on Instagram. A woman in the midst of a late-20’s crisis is cleaning toilets when she starts noticing her co-workers changing. Each of them has a key to the puzzle. But can they figure out a way to stop an alien invasion before it’s too late? Or will they, too, succumb to the pods’ alluring glow? And how will they tell the difference between a Snatcher and a regular Brooklyn weirdo?
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Art Direction:
Angela Harner
Associate Producer:
David Ebel
Best Boy Electric:
Andrew Kowalski
Cinematography:
Mark Sparrough
Construction Coordinator:
John Trapp
Director:
John Kingman
Gaffer:
Danny Valentine
Grip:
Amber Mishelle
Kevin Leach
Key Grip:
Logan Mitchell
Makeup Designer:
Krystle Feher
Medical Consultant:
Jeff Midgley
Original Music Composer:
Dylan Thurston
Producer:
John Kingman
Clara Peterson
Production Assistant:
Shawn Kirby
Laurence Sarner
Scoring Mixer:
Trevor Dalton Moore
Second Assistant Camera:
Reid Engwall
Biagio Nicholas Gulino
Matthew Richards
Set Designer:
Courtney Wagner
Amanda Lynn Robinson
Set Dresser:
Chris Reisz
Sound:
Aaron Miller
Steadicam Operator:
Mark Sparrough
Stunt Coordinator:
Luis Raúl Alcocer
Writer:
Guy Patton
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.