A work in constant progress (and occasional regress).
Release Date:
January 1, 2009
Original Title:
Every Girl Wants a Skirt Like Frida's
Production Companies:
Bravo!FACT
Filmblanc
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 7
What do Frida Kahlo and a “chilanga” living in Vancouver have in common? Nothing really, except that both were born in Mexico City. But for Honoria Delgado, Frida Kahlo represents everything that keeps her from finding happiness.
Assistant Director Trainee:
Clifton Tataryn
Assistant Picture Editor:
Dave Giselle
Boom Operator:
Robert Fletcher
Co-Producer:
Antonella LaCaprara
Costume Design:
Frances Cabezas-Miller
Dialogue Editor:
Jan Rudy
Director:
Jerry Ciccoritti
Director of Photography:
Gerald Packer
Editor:
George Roulston
First Assistant Camera:
Mark Giles
First Assistant Director:
Mark Tararyn
Foley Artist:
John Sievart
Key Grip:
Nabil Milne
Makeup & Hair:
Joan Chell
Music Producer:
John Critchley
Online Editor:
Patrick Eves
Original Music Composer:
Drew Birston
Amanda Martinez
Post Production Supervisor:
Antonella LaCaprara
Producer:
Noemi Weis
Production Assistant:
Nick J. Edgar
Rohan Jacob Joseph
Rajat Chawla
Eugene Weis
Production Design:
Rocco Matteo
Production Manager:
Antonella LaCaprara
Property Master:
Craig Grant
Script Supervisor:
Eugene Weis
Second Assistant Camera:
Rudolf Mammitzsch
Sound Effects Editor:
Christopher Guglick
Sound Mixer:
Steve Marian
Sound Re-Recording Mixer:
John Hazen
Stand In:
Jasper Savage
Still Photographer:
Jasper Savage
Writer:
Paula Rivera
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.