A work in constant progress (and occasional regress).
Release Date:
May 21, 2020
Original Title:
Get Back Up
Genres:
Documentary | Music
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 105
"A riveting, emotionally charged rock doc like none before it. This decade long journal follows the band and phoenix-like implosion and spiritual immersion of their front-man, who was born with a genius like gift to create hit music."
Associate Producer:
Alan Petsche
Bonnie Petsche
Sarah Steinbrecher
Melina McKinnon Cain
Camera Operator:
Lior Reuveni
Joel De La Garza
Merritt Fields
Jed Dole
Brad Bond
Cinematography:
Norry Niven
Shane John
Mark Fisher
Bongani Mlambo
Kevin Autrey
Colorist:
Kelly Riemenschneider
Director:
Norry Niven
Editor:
King Hollis
Edwin Harris
Executive Producer:
Justin Furstenfeld
Swin Swinford
Paul Nugent
First Assistant Camera:
Jordan Jones
Gaffer:
Rahim Handy
Graphic Designer:
Dave Burton
Mixing Engineer:
Kyle Richards
Post Production Supervisor:
Edwin Harris
Producer:
Norry Niven
Diana Bland
King Hollis
Score Engineer:
Justin Furstenfeld
Eric Holtz
Second Assistant Camera:
Chad Fisher
Second Unit Director:
Rodney Pineda
Bongani Mlambo
Sound Designer:
Kyle Richards
Technical Advisor:
McLain Von Niven
Title Designer:
Dave Burton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.