A work in constant progress (and occasional regress).
Release Date:
July 30, 2019
Original Title:
Como Segurar uma Nuvem no Chão
Alternate Titles:
Como sostener una nube en el piso
How to hold a cloud to the ground
Wie man eine wolke auf dem boden hält
Genres:
Drama | Family | Fantasy | Horror
Production Companies:
Academia Internacional de Cinema
Anfitrião
Production Countries:
Brazil
Ratings / Certifications:
BR: L
Runtime: 18
What happens after THE END? The fable of Isabela, a phantasmagorical journey of a girl searching for her true self.
Art Department Assistant:
Gabriela Piccinini
Art Direction:
Marina Eisenhauer
Costume Design:
Stephanie Bellotti
Director:
Marco Aurélio Gal
Director of Photography:
Gabriel Manso
Editor:
Mariane Galacini
Makeup Artist:
Louise Helène
Music:
Rafael Maiolino
Producer:
Marco Aurélio Gal
Production Assistant:
Beatriz Piffer
Gabriela Drimus
Production Manager:
Luiza Azevedo
Sound Designer:
Pierluigi Papaiz
Writer:
Marco Aurélio Gal
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.